Album Review: Elizabeth Naccarato – Salonnières
Variously described as a classical and new age artist, Texas-born and Colorado-based pianist Elizabeth Naccarato has a foot in both camps. She has been recording and releasing albums for at least as far back as 1995’s Jarrell’s Cove. Classically trained, Naccarato is skilled in delivering subtle and refined reading of works from the great composers. But at the same time, her original compositions build on those traditions and textures in a way that feels freer, more organic and ultimately more personal.
Salonnières is (I think) her eighth album, and it features a mix of both of the aforementioned styles. A reading of Johannes Brahms’ “4 Klavierstücke, Op. 119: No. 1, Intermezzo in b Minor” is a centerpiece of the new release; it exemplifies the album’s theme, a collection of songs presented in the intimate and communal context of a salon. The music invites – no, it all but insists upon – a quiet and contemplative space in which to experience its sublime beauty.
Other composers whose work is explored on the album include Robert Schumann, Felix Mendelssohn, Wolfgang Mozart and Frédéric Chopin. Five Naccarato originals sit comfortably among those pieces, holding their own and helping make Salonnières a unified and rewarding listening experience.
