Album Mini-review: The Jean-Paul Sartre Experience — I Like Rain
Sporting a playful name (eventually shortened in response to lawsuits) that had less than nothing to do with their sound, this New Zealand band was a prime exponent of the Flying Nun Records sound and aesthetic. With a DIY production approach and relatively unadorned arrangements, the JPS Experience crafted music that brought to mind Teenage Fanclub sitting on comfy couches, or Loaded-era Velvet Underground leaning even more in a timeless pop direction. The band never once dented the charts outside their island homeland, and mustered relatively little chart action there. But their lack of commercial success belies the charms found within their music. In the same way that America’s garage rock explosion of the mid 60s created hundreds of worthy tracks that never got a wide hearing, the Kiwi pop explosion of 1980s New Zealand went mostly unheard outside that small country. Albeit belatedly, this best-of helps correct that injustice.
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day for several years). The more than 5000 interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance (including monthly events Music to Your Ears and Music Movie Mondays), and is a frequent guest on music-focused radio programs and podcasts. In Spring 2023 he taught a history of Rock 'n' Roll at UNC Asheville's College for Seniors. He also researches and authors liner notes for album reissues -- some 40 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, was published in 2021 by HoZac Books. His third book, What's the Big Idea: 30 Great Concept Albums is available now. Read even more about him here.