doug mckechnie Archive

Rad Lab: Doug McKechnie and the Moog Model III (Part Three)

Continued from Part Two … You’ve said – only half joking, I’d guess — that the main goal of the San Francisco Radical Lab was attracting women. Well, it wasn’t much more than that. And I came up with the name “San Francisco Radical Laboratories.” At the time, one of the things that I was

Rad Lab: Doug McKechnie and the Moog Model III (Part Two)

Continued from Part One … The Moog Model III didn’t come with a manual. How much was it hit-or-miss to develop the sounds that you wanted? Well, I pretty much grasped immediately what a high/low pass filter was. Because, in my lecture demonstration, with the microphone and my mouth, I would do exactly the same

Rad Lab: Doug McKechnie and the Moog Model III (Part One)

In the late 1960s, Doug McKechnie and his roommate launched the San Francisco Radical Lab, an experimental endeavor launched (in part, as you’ll read) to explore the capabilities of the then new and novel Moog Model III modular synthesizer. The Lab had one of the earliest of that instrument, with the serial number 004. Now

Doug McKechnie’s ‘San Francisco Moog: 1968-1972’

In the late ’60s, the Moog modular synthesizer was still very much an experimental tool. While there had been some ambitious attempts to use the Moog as the centerpiece of recordings — Mort Garson’s 1967 LP The Zodiac: Cosmic Sounds was likely the first album to feature the synthesizer prominently — “serious” use of the