{"id":9115,"date":"2008-01-01T14:46:15","date_gmt":"2008-01-01T14:46:15","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=9115"},"modified":"2015-10-22T14:47:41","modified_gmt":"2015-10-22T14:47:41","slug":"aberdeen-city-second-times-the-charm","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2008\/01\/01\/aberdeen-city-second-times-the-charm\/","title":{"rendered":"Aberdeen City &#8211; Second Time&#8217;s the Charm"},"content":{"rendered":"<p>Boston quartet Aberdeen City is re-releasing their 2005 debut, <i>The Freezing Atlantic<\/i>, with a steady stream of live dates to back it up. Their sound mixes equal parts Radiohead and Radiohead. Okay, just kidding, but the group does owe a sonic debt to the group from Oxford. Aberdeen City&#8217;s guitarist Ryan Heller doesn&#8217;t bristle at the comparison. &#8220;On first or second albums, every group gets compared to somebody else so there&#8217;s a frame of reference. There are certainly worse bands out there to be compared to.&#8221;<\/p>\n<p>Aberdeen City recorded and released <i>The Freezing Atlantic<\/i> in 2005, but recently went back into the studio with Steve Lillywhite (U2, XTC, Kirsty MacColl, Morrissey, Phish) to retool, remix and in some cases re-record several numbers. Pressed as to how and why the new version is superior, Ryan says, &#8220;the changes are pretty subtle on the new one. We went back and touched up a few songs, and had the whole thing remastered. We spent more time this second time around. We were able to look at things like, &#8216;what key should this song be played in?&#8217; and other details that allow a big change to be made by doing something subtle.&#8221;<\/p>\n<p>The sounds on <i>The Freezing Atlantic<\/i> evolved in a deliberate fashion. Heller says, &#8220;we decided early on that we didn&#8217;t want to layer the album with too much stuff that we wouldn&#8217;t be able to go out and reproduce onstage. With certain songs we&#8217;d come up with an approach, and say, &#8216;let&#8217;s make the guitars sound like this,&#8217; but at the end of the day, they&#8217;re still going to sound like guitars. But as we pushed them in one direction or another, we could come up with something more interesting-sounding.&#8221; And in keeping with the live aesthetic, little instrumentation beyond the two-guitars\/bass\/drums setup was used: &#8220;there are a few brief moments of violins, and piano for maybe about ten seconds somewhere on the record.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/aberdeen_city_album.jpg\" alt=\"aberdeen_city_album\" width=\"200\" height=\"200\" align=\"right\" border=\"0\" hspace=\"10\" vspace=\"10\" \/> The striking cover art deserves mention. Artist Adam Larson&#8217;s haunting, enigmatic cover art has strong echoes of the work of Storm Thorgeson, specifically his cover art for Pink Floyd. Ryan says that Larson &#8220;asked us each to submit a list of a handful of album covers we really liked &#8211; for whatever reason: because we liked the record, because we found the artwork striking. He took the common threads of those album covers.&#8221; Larson had already decided to do something photography-based, and, as Heller describes it, that was &#8220;based on a central image. He spent a bunch of time with the music, and from there it was pretty much his concept.&#8221; As to its meaning, Ryan suggests, &#8220;if you&#8217;re going to look into it, to try and make some connections with the music, there&#8217;s both intimacy and distance represented there.&#8221; He goes on to say that the cover art is, like Aberdeen City&#8217;s music, vague and specific\/deliberate all at once.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/aberdeen_city_reprint.jpg\" alt=\"aberdeen_city_reprint\" width=\"250\" height=\"325\" align=\"left\" border=\"1\" hspace=\"10\" vspace=\"10\" \/> In previous interviews the band has confessed to engaging in some publicity hype. Their approach &#8212; creating a fanciful back story &#8212; takes a page from Malcolm MacLaren&#8217;s manipulations on behalf of the Sex Pistols and (before that) The New York Dolls. It&#8217;s also over-the-top and amusing enough to recall Cheap Trick&#8217;s wacky approach. Ryan Heller lets loose an embarrassed gasp, then laughs, shifting gears while attempting to downplay the whole matter. &#8220;Well, you know, it&#8217;s not hype. It&#8217;s really&#8230;&#8221; he pauses before confiding a bit. &#8220;Frankly, we&#8217;re not really crazy about writing band bios. It&#8217;s a pretty capped-out kind of medium. We read so many band bios, and we figure, &#8216;the people we&#8217;re sending ours to, they read so many.'&#8221; He explains that &#8220;for us it was more about creating something entertaining, taking little bits of truth &#8212; because, you know, there is quite a bit of truth in there &#8212; and exaggerating things to the point where it might be interesting to the reader. Stuff gets so watered-down anyway, we thought, &#8216;let&#8217;s just make it interesting to read.'&#8221; He agrees that the intent wasn&#8217;t to mislead, and insists that the puffed bio wasn&#8217;t &#8220;a White Stripes kind of thing.&#8221; Perhaps inadvertently quoting <i>The X-Files<\/i>, Heller sums it up by saying, &#8220;the truth is out there.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Boston quartet Aberdeen City is re-releasing their 2005 debut, The Freezing Atlantic, with a steady stream of live dates to back it up. Their sound mixes equal parts Radiohead and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,49,62],"tags":[2437],"class_list":["post-9115","post","type-post","status-publish","format-standard","hentry","category-interview","category-new-release","category-rawk","tag-aberdeen-city","cat-41-id","cat-49-id","cat-62-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/9115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=9115"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/9115\/revisions"}],"predecessor-version":[{"id":9116,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/9115\/revisions\/9116"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=9115"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=9115"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=9115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}