{"id":87,"date":"2009-11-03T04:34:35","date_gmt":"2009-11-03T09:34:35","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=87"},"modified":"2009-11-03T04:34:35","modified_gmt":"2009-11-03T09:34:35","slug":"album-review-wolfmother-cosmic-egg","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2009\/11\/03\/album-review-wolfmother-cosmic-egg\/","title":{"rendered":"Album Review: Wolfmother &#8211; Cosmic Egg"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/wolfmother_cosmic_egg.jpg\" alt=\"Wolfmother - Cosmic Egg\" align=\"right\" height=\"250\" hspace=\"10\" vspace=\"10\" width=\"250\" \/><em>Cosmic Egg<\/em> &#8212; the first album since 2005&#8217;s self titled debut &#8212; finds retro-fetishists <strong>Wolfmother <\/strong>expanding their sound a bit. On the debut disc they were a loud, loud, <em>loud <\/em>power trio trading in the sounds of <strong>Black Sabbath<\/strong>, <strong>Deep Purple<\/strong>, <strong>Grand Funk<\/strong> and <strong>Uriah Heep<\/strong>. After a few tours and high-profile dates (including a 2007 date at the <a href=\"http:\/\/www.musoscribe.com\/essays\/bonnaroo_2007.shtml\" class=\"body\">Bonnaroo<\/a> festival ) two of the members left (or were dismissed). Leader Andrew Stockdale took his time putting together a new group.<\/p>\n<p>The 2009 version of Wolfmother is now a quartet. The new Wolfmother subtly adds some elements to the sonic stew. But ultimately, if you liked the first album, you&#8217;ll like this. It&#8217;s the same, only more so. Breakneck tempos set against sludgy ones, wailing vocals that occasionally calm down&#8230;they&#8217;re all here. Where the first album was shamelessly derivative, <em>Cosmic Egg<\/em> seems influenced equally by all those early 70s groups and by&#8230;Wolfmother circa 2005. It&#8217;s not clear how much of the new sound (and don&#8217;t worry: it&#8217;s not <em>that<\/em> different) is down to the new members or a product of some maturation on Stockdale&#8217;s part.<\/p>\n<p>Keyboard and lead guitar unison leads on &#8220;New Moon Rising&#8221; (and a number of other tracks &#8212; it&#8217;s becoming something of a Wolfmother trademark) are a highlight; there&#8217;s enough variation in that track&#8217;s dynamics to keep things interesting. Unlike lesser heavy-rock purveyors, Wolfmother puts enough into the songs that you have to listen to the whole thing to get the full effect. That old technique <strong><a href=\"http:\/\/www.musoscribe.com\/features\/howard_kaylan_my_dinner_with_jimi.shtml\" class=\"body\">Flo and Eddie<\/a><\/strong> used in their DJ days &#8212; play only a few seconds of a song, since the rest is just more of the same &#8212; wouldn&#8217;t work on these songs.<\/p>\n<p>&#8220;In the Morning&#8221; starts out almost in an almost pastoral setting, and then builds to an arena-rock crescendo; it sounds almost like something <strong>Argent <\/strong>or <strong>Boston <\/strong>would have done. The boogie of &#8220;Cosmic Egg&#8221; sounds wholly unlike what anybody &#8212; with the possible exception of <strong><a href=\"http:\/\/www.musoscribe.com\/features\/bigelf_damon_fox.shtml\" class=\"body\">Bigelf<\/a><\/strong> &#8212; is doing musically in 2009. But it makes most other &#8220;modern rock&#8221; artists sound like a bunch of pussies in comparison, so there. It&#8217;s also one of the strongest cuts on this strong album.<\/p>\n<p>&#8220;Far Away&#8221; begs for waving arms and lighters, and features prominent, effective use of distorted Wurlitzer Electric piano. The shrieking vocals atop the lumbering riff of the &#8220;Pilgrim&#8221; midsection are guaranteed to please anyone who believes that heavy rock saw its heyday in the first half of the 70s. The impossibly-distorted organ intro of &#8220;In the Castle&#8221; gives way to a stomping beat, and that&#8217;s just the intro; the song then heads somewhere completely different. The track is yet another example of Wolfmother&#8217;s musical growth.<\/p>\n<p>Stockdale&#8217;s been listening to some <strong>Led Zeppelin<\/strong> albums: the complex beat of &#8220;White Feather&#8221; wouldn&#8217;t be out of place on <em>Physical Graffiti<\/em> or <em>Presence<\/em>. And there are strong echoes of Black Sabbath&#8217;s &#8220;N.I.B.&#8221; on &#8220;Sundial&#8221;. But neither of these facts will come as a surprise to anyone who liked the first Wolfmother disc. Nor will these facts be unwelcome. And let&#8217;s be clear: if you&#8217;re gonna steal, might as well do so from Zep, arguably the biggest thieves in the musical biz.<\/p>\n<p>&#8220;Phoenix&#8221; is another piledriving stoner-rock classic; at one point it calms down to sound like<strong> Thin Lizzy<\/strong> (which gives you some idea of what passes for &#8220;calm&#8221; on a Wolfmother album). The disc wraps up by building a song around a <strong>Cream <\/strong>lyric snippet: &#8220;Violence of the Sun&#8221; is propelled by Wurlitzer and high-register bass guitar. It all ends in a wash of distortion. The fist-pumping track leaves the listener hoping it won&#8217;t be four years before the third disc.<\/p>\n<p><em>Cosmic Egg<\/em> safely avoids the dreaded sophomore slump curse; if anything it&#8217;s superior to its predecessor. Full of hooks but most definitely not a pop album, <em>Cosmic Egg<\/em> parties like it&#8217;s 1974. Soft-rock fans will want to steer well-clear of this bludgeoning, rife-with-riffs album. But fans of heavy, head-nodding rock won&#8217;t want to miss <em>Cosmic Egg<\/em>. Bring ear protection.<\/p>\n<p><center><a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cosmic Egg &#8212; the first album since 2005&#8217;s self titled debut &#8212; finds retro-fetishists Wolfmother expanding their sound a bit. On the debut disc they were a loud, loud, loud [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-87","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/87","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=87"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/87\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=87"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=87"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=87"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}