{"id":782,"date":"2012-05-14T05:40:35","date_gmt":"2012-05-14T10:40:35","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=782"},"modified":"2012-05-14T05:40:35","modified_gmt":"2012-05-14T10:40:35","slug":"album-review-the-hollyhocks-understories","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2012\/05\/14\/album-review-the-hollyhocks-understories\/","title":{"rendered":"Album Review: The Hollyhocks &#8211; Understories"},"content":{"rendered":"<p style=\"margin-bottom: 0in\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/hollyhocks_understories.jpg\" align=\"right\" height=\"280\" hspace=\"10\" vspace=\"10\" width=\"280\" \/>I heart <strong>Hollyhocks<\/strong>. There: I&#8217;ve said it. But I realize that I have a responsibility to provide a bit more detail for you, gentle reader. So, here goes.<\/p>\n<p style=\"margin-bottom: 0in\">The Hollyhocks are a four-piece \u2013 two women, two men \u2013 from Oakland. Their singular sound can best be described as a kind of cross between <a href=\"http:\/\/blog.musoscribe.com\/?p=71\"><strong>A Camp<\/strong><\/a> and <a href=\"http:\/\/blog.musoscribe.com\/?p=183\"><strong>Television<\/strong><\/a>. The similarity to the former \u2013 <strong>Nina Persson<\/strong>&#8216;s \u201cother group\u201d besides <strong>The Cardigans<\/strong> \u2013 is found in the honey-voiced but ever-so-slightly knowing vibe put forth by <strong>Kristin Sobditch<\/strong> (guitar) and <strong>Yuri Jewett<\/strong> (bass), but the elegantly-wasted junkie vibe that crops up in some of the Swedish group&#8217;s material is not a part of the Hollyhocks approach. The Television connection comes in the snaky guitar lines of <strong>Dan Jewett<\/strong>. And the precise yet loose-feeling drum work of <strong>Jason Silverio<\/strong> adds the right ambience to their windy, evocative songs.<\/p>\n<p style=\"margin-bottom: 0in\">The lion&#8217;s share of songs on The Hollyhocks&#8217; debut album <em>Understories<\/em> are mid-tempo, dreamy concoctions that wrap their way around a hook in a manner that seems (but almost certainly isn&#8217;t) effortless. The creamy vocal harmonies of \u201cSugar\u201d contrast nicely with the song&#8217;s grungy, distorted guitar solo. Fans of <a href=\"http:\/\/blog.musoscribe.com\/?p=453\"><strong>The Church<\/strong><\/a> would find much to like in the Hollyhocks&#8217; arrangements. There&#8217;s some lovely guitar jangle on \u201cIowa\u201d that is pleasantly reminiscent of some of the sounds coming out of Athens in the early 80s (<strong>REM<\/strong>, <strong>Pylon<\/strong>), and that number&#8217;s vocal crosstalk is dizzyingly effective.<\/p>\n<p style=\"margin-bottom: 0in\">But nothing can prepare listeners for the fourth track on <em>Understories<\/em>. An emotion-laden song about a photo of a loved one, the song unfolds slowly, allowing the listener to savor its charms. Plucky acoustic  instruments set the scene. But then the curtains open wider to reveal a lovely string section backing the band; it&#8217;s some of the tastiest classical instrumentation on a record since <em>Oranges and Lemons<\/em>-era <strong>XTC<\/strong>. But wait: the song sounds oddly \u2013 but not overly &#8212; familiar. And then it hits you: it&#8217;s a cover of <strong>Def Leppard<\/strong>&#8216;s \u201cPhotograph.\u201d But The Hollyhocks&#8217; version stands the original completely on its head, creating something completely new and wonderful in the process. It&#8217;s easily among the most inspired cover versions \u2013 by anyone, ever \u2013 I&#8217;ve heard in my life so far. And the instrumental break (featuring the <strong>Magik*Magik Orchestra<\/strong>) actually brought a tear to my eye with its power and grace.<\/p>\n<p style=\"margin-bottom: 0in\">It&#8217;s not at all reasonable to expect an album to have anything else to offer after something as wonderful as \u201cPhotograph.\u201d But <em>Understories<\/em> continues to impress and entertain all the way through to its finish. Those whose tastes lean toward smooth female vocal harmony (in a rock idiom) will dig the songs, and anyone who requires some tasty lead guitar work will find it \u2013 judiciously applied, employing a quality-over-quantity approach \u2013 on nearly every song. An oboe solo (courtesy of guest musician <strong>Amber Lambrecht<\/strong>) on the softly swaying \u201cMarco&#8217;s Last Waltz\u201d is heartbreakingly beautiful.<\/p>\n<p style=\"margin-bottom: 0in\">And just when you think you&#8217;ve got The Hollyhocks&#8217; number, they take a musical left turn with \u201cEveryone&#8217;s Here.\u201d It&#8217;s a sunny, sentimental homespun country-flavored romp, populated with characters familiar to anyone who&#8217;s ever had a family or a neighbor. Guest player <strong>Myles Boisen<\/strong>&#8216;s lap steel is note-perfect and will bring a smile even to those who don&#8217;t think they like that kind of thing. The track never takes itself too seriously, and splashes of warm humor are applied throughout the song. A brief but endearingly charming whistling solo finishes it off in style.<\/p>\n<p style=\"margin-bottom: 0in\">A hypnotic surf-style guitar figure forms the basis of the brief and low-key \u201cBefore Your Birthday,\u201d a track that straddles alterna-rock and the chiming pop of groups like <a href=\"http:\/\/blog.musoscribe.com\/?p=145\"><strong>The Orange Peels<\/strong><\/a>. Speaking of whom&#8230;I&#8217;ve saved until now another two reasons you can be sure that The Hollyhocks&#8217; <em>Understories<\/em> is a winning album start to finish: the album was produced by <strong>Allen Clapp<\/strong>, and is released on <a href=\"http:\/\/blog.musoscribe.com\/?tag=mystery-lawn-music\">Mystery Lawn Music<\/a>, as blue-chip a trademark of quality as you&#8217;re likely to find in music today.<\/p>\n<p style=\"margin-bottom: 0in\">I heart Hollyhocks, and you may well, too.<\/p>\n<p style=\"margin-bottom: 0in\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow   \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/>   Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I heart Hollyhocks. There: I&#8217;ve said it. But I realize that I have a responsibility to provide a bit more detail for you, gentle reader. So, here goes. The Hollyhocks [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-782","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=782"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/782\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=782"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=782"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}