{"id":640,"date":"2011-11-09T05:05:45","date_gmt":"2011-11-09T10:05:45","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=640"},"modified":"2011-11-09T05:05:45","modified_gmt":"2011-11-09T10:05:45","slug":"album-review-the-penguin-party-sex-furniture-warehouse","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2011\/11\/09\/album-review-the-penguin-party-sex-furniture-warehouse\/","title":{"rendered":"Album Review: The Penguin Party &#8211; Sex Furniture Warehouse"},"content":{"rendered":"<p style=\"margin-bottom: 0in\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/penguin_party.jpg\" align=\"right\" height=\"274\" hspace=\"10\" vspace=\"10\" width=\"280\" \/>This one earns an A+ before the CD even comes out of the package. <em>Sex Furniture Warehouse and Other Stories<\/em> by <strong>The Penguin Party<\/strong> isn&#8217;t just an album. It&#8217;s a book as well. And in a very effective example of synergy, the book and the CD both stand on their own; one is not strictly necessary to enjoy the other. But if you do take them together (that&#8217;s how they&#8217;re packaged), one enhances the other.<\/p>\n<p style=\"margin-bottom: 0in\">Coming from Essex, England \u2013 the region that has given the world the pop genius <strong>Martin Newell<\/strong> \u2013 The Penguin Party is a band assembled by guitarist\/composer\/lyricist\/author <strong>Dave Milligan<\/strong>. Something of an unheralded rock-pop renaissance man, Milligan has been plying his trade for awhile as a member of <strong>Arco<\/strong>, and <em>Sex Furniture Warehouse<\/em> is the Penguin Party&#8217;s second album (<em>See Thru Songs<\/em> came out in 2008). Milligan writes songs that have both strong melodies and wry, clever lyrical turns (think <strong>Nick Lowe<\/strong>, <strong>Difford\/Tilbrook<\/strong> or <strong>Ben Folds<\/strong>).<\/p>\n<p style=\"margin-bottom: 0in\">The songs on <em>Sex Furniture Warehouse<\/em> are funny, often spit-take hysterical. But <em>Sex Furniture Warehouse<\/em> isn&#8217;t a comedy album. It&#8217;s in the man-looks-at-forty (or fifty) vein, mining universal themes in a way that will resonate with those of a certain age (and others, too). The song titles alone are a treasure of wordplay, puns and general silliness: how else to explain \u201cMike Leigh-on-Sea\u201d or \u201cMid Life Chris.\u201d What&#8217;s more, the album&#8217;s title was inspired by a store sign in Milligan&#8217;s hometown of Essex: a couple letters had fallen off the sign (or, more likely, they&#8217;d been stolen by some clever sods).<\/p>\n<p style=\"margin-bottom: 0in\">All of this cleverness would matter not a bit if the songs weren&#8217;t up to muster. But the paperback book collecting the album&#8217;s lyrics makes for a quick chuckle-and-nod read, the music is pretty ace as well. The songs rock, often veering between a ska-flavored romp and straight-ahead rock&#8217;n&#8217;roll. Milligan is unafraid to sing in his native dialect, and his vocal delivery is halfway between the aforementioned Newell and <strong>Andy Partridge<\/strong>.<\/p>\n<p style=\"margin-bottom: 0in\">Like both of those supremely talented artists, Milligan crafts lyrics that are right on the edge of mocking, yet his songs still betray a fondness \u2013 even love \u2013 for the characters he&#8217;s drawn. The story\/vignette that is \u201cShe Was Only a Roofer&#8217;s Daughter\u201d channels <strong>Ray Davies<\/strong> at his storytelling best, painting a portrait of people who are quintessentially English. Yet those characters resonate in an odd way with listeners from, well, wherever.<\/p>\n<p style=\"margin-bottom: 0in\">\u201cThis is My Station\u201d rocks with edgy, nervy attention similar to very early XTC: this <em>really is<\/em> pop. \u201cIt&#8217;s Not Big and It&#8217;s Not Clever\u201d weds the jangle of 80s<strong> Robyn Hitchcock<\/strong> to beefy horn charts more reminiscent of <strong>Oingo Boingo<\/strong>. The lyrics &#8212; while clever \u2013 tend to sting a bit as they hit their mark with knowing accuracy. In \u201cMid Life Chris,\u201d Milligan sings of \u201can ill-advised flirtation with a motorbike\u201d and \u201ca brief infatuation with an underling.\u201d Wish to admit it or not, men of a certain age will understand where Milligan&#8217;s coming from here.<\/p>\n<p style=\"margin-bottom: 0in\">But don&#8217;t get the idea that <em>Sex Furniture Warehouse<\/em> is a collection of midlife angst threatening to unravel. \u201cSong for My Old Lady\u201d is a heartfelt love song in which Milligan implores, \u201cLet&#8217;s play while we&#8217;re still young enough\u201d and \u201cBe the parents that our people warned us about\u201d (catch that?). And it&#8217;s all supported by inventive, uptempo playing. If <strong>Madness<\/strong> had more of a rock sensibility, they might&#8217;ve crafted a tune like \u201cYou Learn to Climb When You&#8217;re Small.\u201d<\/p>\n<p style=\"margin-bottom: 0in\">The height of <em>Sex Furniture Warehouse<\/em> \u2013 the best among a no-duds collection \u2013 is undoubtedly the lump-in-the-throat tale \u201cWhatever Happened to Tomorrow&#8217;s World,\u201d a wistful yet happily resigned look at life. But then things turn very heavy, rocking like <strong>Porcupine Tree<\/strong> at their most metallic on \u201cWhy I&#8217;m Never Invited to Parties.\u201d Applying metal flourishes to a pop song, it&#8217;s a stylistic left-turn that actually works in the album&#8217;s context.<\/p>\n<p style=\"margin-bottom: 0in\">The a capella intro of the ironically jaunty \u201cIt&#8217;s Just Your Lifetime; It&#8217;ll Soon Be Over\u201d sets the tone for the album&#8217;s final track. It&#8217;s a ditty that essentially says, in that oh-so-British way, \u201cstiff upper lip, gents; you&#8217;ll get through it.\u201d<\/p>\n<p style=\"margin-bottom: 0in\">And the book! The lyrics are well worth reading separately from your listening experience. The accompanying photos are clever and apt, and the accompanying essays are warm and wonderful. I know that the book and the CD are (nicely) packaged together, but the book deserves a place of honor on my bookshelf, and the CD deserves a similarly honored spot, fitting as it does between <strong>The Partridge Family<\/strong> and <strong>Michael Penn<\/strong> on my CD shelves.<\/p>\n<p style=\"margin-bottom: 0in\"><em>Sex Furniture Warehouse<\/em> is over far too soon. It&#8217;s a delight through and through, one that rewards repeat listens.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow  \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/>  Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"> DISCLOSURE OF MATERIAL CONNECTION:<br \/>\n<a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review  copy, or an item of nominal value that I can keep for consideration in  preparing to write this content. I was\/am expected to return this item  after my review.\" border=\"0\" \/><\/a><\/p>\n<p style=\"margin-bottom: 0in\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This one earns an A+ before the CD even comes out of the package. Sex Furniture Warehouse and Other Stories by The Penguin Party isn&#8217;t just an album. It&#8217;s a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-640","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=640"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/640\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}