{"id":629,"date":"2011-10-24T04:56:43","date_gmt":"2011-10-24T09:56:43","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=629"},"modified":"2011-10-24T04:56:43","modified_gmt":"2011-10-24T09:56:43","slug":"album-review-tom-principato-a-part-of-me","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2011\/10\/24\/album-review-tom-principato-a-part-of-me\/","title":{"rendered":"Album Review: Tom Principato &#8211; A Part of Me"},"content":{"rendered":"<p style=\"margin-bottom: 0in\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/tom_principato_a_part_of_me.jpg\" align=\"right\" height=\"254\" hspace=\"10\" vspace=\"10\" width=\"280\" \/>There&#8217;s an old saying where pop music is concerned: \u201cDon&#8217;t bore us; get to the chorus.\u201d 1970s hitmakers <strong>The Raspberries<\/strong> were the very embodiment of this aesthetic: many of their songs would kick off, toss out a line and half of a lyric and head straight for the hook-laden chorus. For that style of music, nothing could be better. It&#8217;s what the people came for.<\/p>\n<p style=\"margin-bottom: 0in\">When we&#8217;re speaking of the blues, however, an entirely different set of rules apply. And those rules &#8212; such as they are \u2013 vary widely depending on the particular sub-style of blues, and depend to some degree on what is being highlighted in the given song. Take, for example, an album by a blues guitarist: in such a case, many listeners come to hear the burning fretwork. The verses and choruses can sometimes get on the way; to some they&#8217;re little more than a necessary evil, something that has to be included.<\/p>\n<p style=\"margin-bottom: 0in\">Occasionally \u2013 rarely, actually &#8212; an album and\/or artist comes along that transcends those so-called rules. The restrictions simply don&#8217;t apply. <em>A Part of Me<\/em> by is just such an album, and its maker <strong>Tom Principato<\/strong> is just such a musician.<\/p>\n<p style=\"margin-bottom: 0in\">I&#8217;ll admit it: I wasn&#8217;t familiar with the guitarist when <em>A Part of Me<\/em> landed on my desk a few weeks ago. The disc went in the slush pile, where it would remain until I did one of my periodic smash-or-trash exercises to winnow down the stack of CDs for potential review. When I finally popped the disc into the player, though, I knew immediately that I had received something special.<\/p>\n<p style=\"margin-bottom: 0in\"><em>A Part of Me<\/em> is one varied collection. The disc opens with \u201cI Don&#8217;t Wanna Do It,\u201d a longish, lazy and loping country-tinged blues in which Principato&#8217;s voice is (initially) the primary focus. He may be from Virginia, but Principato&#8217;s voice sounds a lot like an American <strong>Eric Clapton<\/strong>. A lengthy guitar solo takes center stage for the song&#8217;s second half, quickly establishing (for the new listener) that Principato is a commanding, inventive  player.<\/p>\n<p style=\"margin-bottom: 0in\">Principato applies a throaty, jazzy feel to his guitar licks on \u201cSweet Angel.\u201d One of several tracks that features notable guest artists, the track serves up Hammond B3 courtesy of <strong>Chuck Leavell<\/strong>. On \u201cPart of Me,\u201d the guitarist sets up an slow gospel-blues arrangement evocative of <strong>Boz Scaggs<\/strong>&#8216; cover of <strong>Fenton Robinson<\/strong>&#8216;s \u201cLoan Me a Dime.\u201d <strong>The Memphis Horns&#8217; Wayne Jackson<\/strong> handles the understated yet integral horn charts.<\/p>\n<p style=\"margin-bottom: 0in\">On \u201cDown the Road,\u201d Principato shuts up and plays his guitar. His tasty guitar licks say most of what needs to be said on this track; he&#8217;s ably assisted by legendary keyboardist <strong>Brian Auger<\/strong> (on organ and electric piano) and renowned session bassist <strong>Willie Weeks<\/strong>. The highly melodic instrumental dialogue is such that vocals would have simply gotten in the way.<\/p>\n<p style=\"margin-bottom: 0in\">The modified <strong>Bo Diddley<\/strong> snare beat that kicks off \u201cDown in Lou&#8217;siana\u201d telegraphs the song&#8217;s feel long before the title is made evident. A swamp pop arrangement suits this mash note to the joys of the Pelican State. On the instrumental \u201cBack Again &amp; Gone\u201d the guitarist sounds a bit like <strong>Eric Johnson<\/strong>; a master of tone, Principato coaxes a dizzying array of subtle sound shades out of his axes (onstage he plays a Strat and Tele).<\/p>\n<p style=\"margin-bottom: 0in\">Speaking of onstage, I was lucky enough to catch Tom Principato on a recent live date here in Asheville. Tearing through much of <em>A Part of Me <\/em>plus selections from his vast back catalog, Principato was supported by bassist <strong>Steve Wolf<\/strong>, drummer <strong>Joe Wells<\/strong> (I think) and percussionist <strong>Josh Howell<\/strong>. The latter adds a lot to the band&#8217;s live sound, allowing them to move far beyond the standard blooz power trio format. On the record, <strong>Gail Sanchez<\/strong>&#8216;s congas do the same for the <strong>Santana<\/strong>-flavored \u201cStranger&#8217;s Eyes.\u201d<\/p>\n<p style=\"margin-bottom: 0in\">Tom Principato&#8217;s <em>A Part of Me<\/em> is the ideal blues album to play for your rock-leaning friends who (wrongly) insist that all blues sounds the same. Finely textured and varied, this album is a highly enjoyable listen start to finish.<\/p>\n<p style=\"margin-bottom: 0in\">&nbsp;<\/p>\n<p style=\"font-size: 9px\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow  \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/>  Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"> DISCLOSURE OF MATERIAL CONNECTION:<br \/>\n<a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review  copy, or an item of nominal value that I can keep for consideration in  preparing to write this content. I was\/am expected to return this item  after my review.\" border=\"0\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s an old saying where pop music is concerned: \u201cDon&#8217;t bore us; get to the chorus.\u201d 1970s hitmakers The Raspberries were the very embodiment of this aesthetic: many of their [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-629","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=629"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/629\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}