{"id":439,"date":"2011-02-03T06:16:38","date_gmt":"2011-02-03T11:16:38","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=439"},"modified":"2011-02-03T06:16:38","modified_gmt":"2011-02-03T11:16:38","slug":"album-review-robin-trower-the-playful-heart","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2011\/02\/03\/album-review-robin-trower-the-playful-heart\/","title":{"rendered":"Album Review: Robin Trower &#8211; The Playful Heart"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/robin_trower_playful_heart.jpg\" align=\"right\" height=\"300\" hspace=\"10\" vspace=\"10\" width=\"300\" \/>Unless you\u2019re a serious fan of the man\u2019s work, chances are good that your exposure to new music from <strong>Robin Trower<\/strong> has been minimal these last, oh, two or three decades. Trower came to prominence in the late 60s as guitarist for <strong>Procol Harum<\/strong>, and gained fame once he went solo. His style \u2013 very, very similar to that of one <strong>James Marshall Hendrix<\/strong> \u2013 was displayed front and center on a hugely successful series of albums in the 1970s.<\/p>\n<p>That style didn\u2019t change much in the ensuing years. His 1980s collaborations often took the form of <strong>Cream<\/strong>-like power trios; in fact one of the most successful of these was 1981\u2019s <em>BLT<\/em>, the conveniently-named aggregation featuring <strong>Jack Bruce<\/strong> on vocals and bass plus longtime Trower drummer <strong>Bill Lordan<\/strong>.<\/p>\n<p>Trower\u2019s 2010 release <em>The Playful Heart<\/em> doesn\u2019t really offer anything new in terms of stylistic approach, but when you\u2019ve developed a successful style, perhaps why bother? As the famous philosopher <strong>Mike Love<\/strong> is believed to have told <strong>Brian Wilson<\/strong>, \u201cDon\u2019t fuck with the formula.\u201d<\/p>\n<p>Robin Trower always manages to find soulful vocalists, and this time around he reunites with <strong>Davey Pattison<\/strong> (from his 80s lineup) on about half the tracks; Trower \u2013 who\u2019s developed into a pretty credible singer himself \u2013 handles lead vocals on the other half.<\/p>\n<p>You won\u2019t hear keyboard or sundry effects on <em>The Playful Heart<\/em>. What you will hear is tightly arranged guitar\/bass\/drum excursions. Economically played and arranged, the songs are <em>songs<\/em>; which is to say, while each includes tasty solo guitar work from Trower, the pieces are not merely wankfest showcases. Bassist <strong>Glen Letsch<\/strong> lays down a solid yet suitably rubbery groove along with drummer <strong>Pete Thompson<\/strong> (the latter also played with Trower in the 80s), and Trower waves his throaty, thickly chorded leads atop that foundation.<\/p>\n<p>\u201cThe Turning\u201d is built around a longish and memorable riff; music like this needs little more than that to be appealing. But to that Trower and his players add a propulsive, head-nodding arrangement. Trower\u2019s carefully overdubbed backing chorus vocals add a lot of atmosphere to the song, and again there\u2019s a searing solo.<\/p>\n<p>The album is consistently entertaining throughout, but it would be irresponsible to avoid mention of \u201cDressed in Gold.\u201d Though billed as an original tune, anyone who\u2019s been within earshot of classic rock radio will recognize the tune as a very thin rewrite of Jimi Hendrix\u2019s cover of <strong>Bob Dylan<\/strong>\u2019s \u201cAll Along the Watchtower.\u201d With so many fine songs on the record, one must wonder aloud why Trower didn\u2019t either (a) apply his original lyrics to a different melody or (b) simply cover the Dylan song. One possible answer to (b): He\u2019s done it once already, on a <strong>Bryan Ferry<\/strong> album.<\/p>\n<p>\u201cFind Me\u201d applies Trower\u2019s leads to a smoky, slow song that\u2019s not quite a blues. Its understated style shows the guitarist\u2019s command of a more subtle approach, one filled with dynamics. Trower has a welcome understanding that one need not always crank the intensity up to 11, as it were; his fluid lead ebbs and flow on this track.<\/p>\n<p>On \u201cSong for Those Who Fell\u201d Trower cranks it up in a style redolent of <strong>Stevie Ray Vaughan<\/strong>. \u201cMaybe I Can Be a Friend\u201d is vaguely (but not overly) reminiscent of a Hendrix number, specifically <strong>Derek and the Dominoes\u2019<\/strong> version of \u201cLittle Wing.\u201d<\/p>\n<p>It\u2019s been nearly forty years since Trower released his solo debut, and while the quality of his material dipped a bit in the mid 80s (a tough and gimmick-ridden era for many 60s\/70s axe heroes, it must be said), but <em>The Playful Heart<\/em> shows the man\u2019s talents not to have diminished a bit. More like this, please.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/> Twitter<\/a><br \/>\nand get notified when new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\" align=\"center\"> DISCLOSURE OF MATERIAL CONNECTION:<\/p>\n<p align=\"center\"><a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/p>\n<p class=\"MsoNormal\">&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Unless you\u2019re a serious fan of the man\u2019s work, chances are good that your exposure to new music from Robin Trower has been minimal these last, oh, two or three [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-439","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=439"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/439\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}