{"id":3236,"date":"2012-11-01T05:29:34","date_gmt":"2012-11-01T09:29:34","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=3236"},"modified":"2012-11-01T05:29:34","modified_gmt":"2012-11-01T09:29:34","slug":"dvd-review-john-lee-hooker-cook-with-the-hook-live-in-1974","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2012\/11\/01\/dvd-review-john-lee-hooker-cook-with-the-hook-live-in-1974\/","title":{"rendered":"DVD Review: John Lee Hooker &#8211; Cook With the Hook: Live in 1974"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/john_lee_hooker_cook.jpg\" alt=\"\" width=\"245\" height=\"350\" hspace=\"20\" vspace=\"20\" \/>\u201cDo you wanna boogie? Do you wanna cook with the Hook?\u201d So implores <strong>John Lee Hooker<\/strong> on the audio track of the DVD menu on <em>Cook With the Hook: Live in 1974<\/em>. A medium-sized festival (historical accounts say 6000 fans, but the video suggests more like a thousand) in Massachusetts was the setting for an outdoor concert featuring Hooker and a solid backing band. The event was captured on black-and-white videotape by three cameras. The video quality is pretty poor; it was shot reasonably well, but the ravages of time have not been kind to the tapes. The audio, however, is a very different story: a fine, clear mix that give proper prominence to Hooker&#8217;s voice and guitar.<\/p>\n<p>The band follows Hooker through a half-dozen tracks (this is a fairly short 45-minute program) with the right balance of precision and looseness. The backing players take their spotlights; the second guitarst even takes the lead guitar on \u201cSweet Sweet Thing,\u201d and a lightning run on \u201cBoom Boom.\u201d (Funnily enough, during the latter, Hooker just sits there and doesn&#8217;t play a tall. Apparently he&#8217;s enjoying the solo as much as modern-day listeners will.<\/p>\n<p>Much is often made of Hooker&#8217;s \u201cmetrically free\u201d approach to the blues, in which the meter of the song is built around the lyrics, rather than the lyrics being set to a, say, twelve-bar framework. And while that&#8217;s true here on \u201cWhiskey &amp; Women,\u201d for the most part \u2013 possibly owing to the impromptu nature of the performance \u2013 the songs on <em>Cook With the Hook<\/em> do tend to stick more toward standard blues changes. It&#8217;s also a bit strange seeing one of the musicians (the third guitarist) playing a Rickenbacker, an instrument rarely associated with the blues.<\/p>\n<p>The liner notes make the point that this broadcast has not appeared before as a \u201cgrey market\u201d (aka bootleg) item; no matter how hardcore a Hooker fan you are, you haven\u2019t seen this show before now unless you caught it on local TV back in 1974.<\/p>\n<p>What the liner notes <em>don&#8217;t<\/em> provide is any information as to the identity of the band members. True, it was a long time ago that this concert took place. What little historical data there is comes from some found newspaper clippings.<\/p>\n<p>The setting for this show is nothing if not strange: the concert took place in a landfill, and the concertgoers are kept away from the band by means of a wooden fence. Throughout most of the performance, Hooker remains seated behind wide-brimmed hat and sunglasses, riffing away on his delightfully distorted ES-335. (He does get up, put his axe down and work the audience during \u201cBoogie.\u201d)<\/p>\n<p>There are occasional audio deficiencies: during \u201cBoogie\u201d the lead guitarist all but disappears from the mix. You can see him falling away, but you don&#8217;t hear much. The audio is a bit better when the bassist takes a solo(!). It&#8217;s up to the viewer\/listener to decide if that&#8217;s a good thing or not.<\/p>\n<p>Here Hooker is shown as a man with little or nothing to prove, and he just gets on with it. The quick-cut edits between the three cameras bear little or no connection to what&#8217;s happening visually; they&#8217;re seemingly random, and more than a little jarring. But fans won&#8217;t be put off by the dodgy video production values; this DVD is both historically important and musically rewarding.<\/p>\n<p>A quick postscript: as the concert ends, the emcee shots out to the audience, \u201cA man in his fifties, and he can still rock&#8217;r&#8217;roll! Imagine that!\u201d Well, <em>I<\/em> thought it was funny. It was the 1970s, after all.<\/p>\n<p>You may also enjoy my review of John Lee Hooker&#8217;s CD <a href=\"http:\/\/www.musoscribe.com\/blast_from_the_past\/john_lee_hooker_50_years_anthology.shtml\"><em>Anthology: 50 Years<\/em><\/a>.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cDo you wanna boogie? Do you wanna cook with the Hook?\u201d So implores John Lee Hooker on the audio track of the DVD menu on Cook With the Hook: Live [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[9,25,49,65],"tags":[1182],"class_list":["post-3236","post","type-post","status-publish","format-standard","hentry","category-blues","category-dvd","category-new-release","category-review","tag-john-lee-hooker","cat-9-id","cat-25-id","cat-49-id","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=3236"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3236\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=3236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=3236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=3236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}