{"id":3189,"date":"2012-10-22T05:02:26","date_gmt":"2012-10-22T09:02:26","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=3189"},"modified":"2012-10-22T05:02:26","modified_gmt":"2012-10-22T09:02:26","slug":"a-really-big-shoes-interview-part-1","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2012\/10\/22\/a-really-big-shoes-interview-part-1\/","title":{"rendered":"A Really Big Shoes Interview, Part 1"},"content":{"rendered":"<p><strong>Shoes<\/strong> are that curious breed: a powerpop band that&#8217;s consistently lauded critically, but that makes only occasional modest commercial inroads. They&#8217;ve been plying their trade \u2013 catchy, muscular, hook-filled rock with stellar vocal harmonies \u2013 since the mid-1970s. The band seemed poised for breakout fame \u2013 possibly as the Next Big Thing after The Cars \u2013 when they signed with industry heavy-hitters Elektra at the tail end of the 1970s. And while that hoped-for commercial breakthrough didn&#8217;t happen the band continued to create (rarely with outside help of any sort, it shroud be noted) an impressive body of work. With a catalog that (depending on how you count) includes more than a dozen albums of original material, Shoes kept the faith well into the mid 90s.<\/p>\n<p>Things went quiet for the trio from Zion, Illinois after that, but the group didn&#8217;t disband. Beginning in 2007, Shoes reignited the flame (so to speak), first with a 2CD set of demos from their earliest days (<em>Double Exposure<\/em>), then with a solo album from guitarist Jeff Murphy (<em>Cantilever<\/em>). But none of that prepared Shoes fans for the good news that greeted them in 2012: a new album (<em>Ignition<\/em>) and much more.<\/p>\n<p>I spoke at great, <em>great<\/em> length with Shoes bassist\/vocalist John Murphy some twelve weeks ago about all of this. Owing to the wide-ranging nature of our conversation, it has taken me much longer than I would have liked to edit the transcript down to a manageable length. Here, over the next few days, are the highlights of our talk. \u2013 bk<\/p>\n<hr \/>\n<p><span style=\"color: #0000ff;\"><strong>Bill Kopp: <\/strong>So I understand there&#8217;s a book by <strong>Mary Donnelly<\/strong> coming out (<em>Boys Don\u2019t Lie: A History of Shoes<\/em>). Some people would say, \u201cReally? a huge 600-page book on a band that&#8217;s not really among the most prominent?\u201d But I&#8217;d point them to <strong>Joe Bonomo<\/strong>&#8216;s excellent book about <strong>The Fleshtones<\/strong> or any number of others. That said, what can you tell me about the book?<\/span><\/p>\n<p><strong>John Murphy:<\/strong> When Mary first contacted us \u2013 and she was a fan of Shoes since she was a kid \u2013 we had our doubts, too. But the book \u2013 which isn&#8217;t fiction, of course \u2013 is really an analogy. It&#8217;s the story of a group of guys who had this little pipe dream back in the day. Through hard work and persistence and luck (or whatever you want to call it), we managed to accomplish a certain amount of our dreams and goals.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/shoes_boys_dont_lie.jpg\" alt=\"\" width=\"280\" height=\"322\" hspace=\"20\" vspace=\"20\" \/>And I really think it&#8217;s an analogy for <em>any<\/em> band. Because it&#8217;s not made-up, and Mary puts the Shoes story in the context of what was happening, reflecting the time and the music industry back then. For example, we got signed at the beginning of the &#8217;79 crash in the record industry. By the end of that year, things were going crazy. Records were shipping platinum, but getting platinum returns! In a way, we sort of scuffled our way through things, in some of the positions we found ourselves in.<\/p>\n<p>So Mary&#8217;s story is a lot broader, I think, that people might expect. One could ask, \u201cWhy isn&#8217;t it a book about <strong>Coldplay<\/strong> or <strong>U2<\/strong>?\u201d But that&#8217;s part of its appeal, I think, that&#8217;s its about a band that didn&#8217;t achieve the success \u2013 at that time \u2013 that we would have liked to. Or, the success that we were almost promised by Elektra back in the day.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/musoscribe.com\/images\/shoes_ignition.jpg\" alt=\"\" width=\"280\" height=\"257\" hspace=\"20\" vspace=\"20\" \/>But it&#8217;s a book about pursuing your dreams. It sounds like a clich\u00e9, but it&#8217;s true. And now we joke that we&#8217;ve inadvertently given her an ending, because we have a new album (<em>Ignition<\/em>, released August 14). And it&#8217;s a happy ending.<\/p>\n<p><span style=\"color: #0000ff;\"><strong>BK: <\/strong>It seems that this gives her the opportunity to tell some of the history, of what was happening in the music industry, but to do it from the standpoint of a band that still exists, rather than writing it from a point of view that&#8217;s far-removed, dispassionate, scholarly.<\/span><\/p>\n<p><strong>JM:<\/strong> The interesting thing is, we know <em>our<\/em> side of it. But in reading it, there were pages and pages where we went, \u201cOh, really? Is <em>that<\/em> what happened?\u201d We know how things happened, or how they seemed on our end. But it&#8217;s still a little miracle that the Elektra signing ever happened. And there are a whole series of events that she recounts, things leading up to that. She talked to people \u2013 the ones she could find, anyway \u2013 to get the Elektra point of view, too.<\/p>\n<p>It wasn&#8217;t like we bought a raffle ticket: there was a record that we had made (1977&#8217;s self-released <em>Black Vinyl Shoes<\/em>), and it was garnering some kind of attention in independent record shops. <strong>Maxanne Sartori<\/strong>, an influential deejay in Boston, had a lot to do with getting <strong>The Cars<\/strong> signed. And that right there gave Elektra the courage to say, \u201cHey, we need to do this again.\u201d They wanted to find the next Cars; that&#8217;s what was on their minds.<\/p>\n<p><span style=\"color: #0000ff;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/musoscribe.com\/images\/shoes_black_vinyl_shoes.jpg\" alt=\"\" width=\"280\" height=\"280\" hspace=\"20\" vspace=\"20\" \/>BK:<\/strong> All of a sudden, there&#8217;s a flurry of Shoes related activity. The new <em>Ignition<\/em> album, the upcoming book, a series of vinyl reissues from Numero, and Real Gone Music has a compilation, <em>35 Years: The Definitive Shoes Collection 1977-2012<\/em>. Is there some sort of over-arching answer to the \u201cWhy now?\u201d question?<\/span><\/p>\n<p><strong>JM:<\/strong> The Real Gone Music collection is a sort of Part Two to <em>Shoes Best<\/em> (1987). Some songs are on both. [Actually the 21-song <em>35 Years<\/em> repeats only four songs from the 22-track <em>Shoes Best<\/em> tracks. \u2013 ed.]<\/p>\n<p>As far as why now, it&#8217;s just a series of events that happened to coincide. Mary&#8217;s book started the ball rolling in terms of talk on the internet, and word of mouth. So some Shoes fans \u2013 or closet Shoes fans \u2013 who were in a position to do something, did. For example, <strong>Ken Shipley<\/strong> at Numero is a fan.<\/p>\n<p><em>Click here to <a href=\"http:\/\/blog.musoscribe.com\/?p=3199\">continue<\/a>&#8230;<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" alt=\"\" width=\"18\" height=\"18\" border=\"0\" hspace=\"1\" vspace=\"0\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shoes are that curious breed: a powerpop band that&#8217;s consistently lauded critically, but that makes only occasional modest commercial inroads. They&#8217;ve been plying their trade \u2013 catchy, muscular, hook-filled rock [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,49,55,62],"tags":[393,1611,1796,1948],"class_list":["post-3189","post","type-post","status-publish","format-standard","hentry","category-interview","category-new-release","category-powerpop","category-rawk","tag-boys-dont-lie","tag-numero-group","tag-real-gone-music","tag-shoes","cat-41-id","cat-49-id","cat-55-id","cat-62-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=3189"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/3189\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=3189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=3189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=3189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}