{"id":31441,"date":"2026-09-09T05:30:41","date_gmt":"2026-09-09T09:30:41","guid":{"rendered":"https:\/\/blog.musoscribe.com\/?p=31441"},"modified":"2026-09-09T08:02:19","modified_gmt":"2026-09-09T12:02:19","slug":"hundred-word-reviews-for-september-2026","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2026\/09\/09\/hundred-word-reviews-for-september-2026\/","title":{"rendered":"Hundred-word Reviews for September 2026 #1"},"content":{"rendered":"<p>Closet-cleaning time again. Standard disclaimer applies: While these capsule reviews are brief, all featured titles deserve your attention are are thus recommended. One reissue, two archival releases and two new-for-2026 releases.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-31444\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/patot_hold_your_fire.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/patot_hold_your_fire.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/patot_hold_your_fire-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/patot_hold_your_fire-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Patto \u2013 <i>Hold Your Fire<\/i><\/b><br \/>\nNamed after lead vocalist Mike Patto, this hard\/blues\/progressive rock quartet never caught on outside of their native UK. In fact they didn\u2019t fare too well commercially there, either. In fact Patto was dropped by its label after this, their 1971 second album failed to set charts alight. But with jazzy work by overlooked axe hero Ollie Halsall (see also: The Rutles), they made some impressive music. Patto\u2019s raspy vocals may remind some of Rod Stewart or a more melodic Joe Cocker. There\u2019s grace and subtlety in their finely-crafted songs. \u201cYou, You Point Your Finger\u201d is the standout, but goodies abound.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-31443\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/blasters_rare.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/blasters_rare.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/blasters_rare-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/blasters_rare-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Blasters \u2013 <i>Rare Blasts<\/i><\/b><br \/>\nThe Blasters were indeed a blast of fresh air on the rock scene of the late-late \u201870s and early 1980s. Their rootsy, high-octane approach found favor with both the retro crowd who dug Stray Cats and with fans of stripped-down, passionate and elemental rock \u2018n\u2019 roll. (I saw \u2018em live; thanks, Fake I.D.!) Liberation Hall has, er, liberated the band\u2019s catalog from obscurity through some thoughtful reissues, and this set is a fine addition. Packaged to look like a vintage bootleg, <i>Rare Blasts<\/i> is a first-rate collection of outtakes and soundtrack cuts. Fans of their work will certainly want this.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-31445\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/romeo_void_live.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/romeo_void_live.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/romeo_void_live-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/romeo_void_live-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Romeo Void \u2013<i> Live \u201881 \u2013 \u201885<\/i><\/b><br \/>\nRomeo Void were the most successful of the fine roster of acts on 415 Records. While they would release three fine albums (and the EP that broke them and helped 415 earn its distro deal with Columbia) in their short time together, Romeo Void was a compelling live act as well. With cover art specifically designed to evoke memories of the <i>Never Say Never<\/i> EP, <i>Live \u201881-\u201985<\/i> compiles previously-unreleased performance tracks culled from tapes of dates in Ann Arbor, Albany, Berlin and London. Fidelity is, let\u2019s say, pretty good. And live readings of the band\u2019s most well-known songs are here.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-31442\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/penny_arcade.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/penny_arcade.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/penny_arcade-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/penny_arcade-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Penny Arcade \u2013 <i>Double Exposure<\/i><\/b><br \/>\nImagine that a talented shoegaze band with breathy vocalist had their guitars taken away, were given a primitive drum machine and told to go make an album. The results might bear some resemblance to the sounds found on <i>Double Exposure<\/i>. Sturdy melodies are given a stripped-down, DIY approach that feels in places like Velvet Underground with a pop sensibility and less drugs. The rudimentary drum machine textures are an acquired taste, but in the context of the album there\u2019s a conceptual continuity to their use. The album\u2019s intimate analog character is exemplified on \u201cWorst Trip\u201d and \u201cYou&#8217;ve Got the Key.\u201d<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-31446\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/brookings_exposure.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/brookings_exposure.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/brookings_exposure-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/04\/brookings_exposure-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>David Brookings and the Average Lookings \u2013 <i>Exposure<\/i><\/b><br \/>\nI discovered the melodic genius of David Brookings some seven years ago, and I\u2019ve followed his subsequent work with interest. While excellent, a recent release nonetheless leaned a bit too much toward Americana for my tastes. But <i>Exposure<\/i> deftly balances those musical values with the earwormiess of his previous work. Soaring and breezy at once, the songs draw the listener in, with rich vocal harmonies and supremely melodic lead guitar runs. Brookings is equally at home crafting contemplative midtempo tunes as he is delivering uptempo roots-rock like the scintillating and Beach Boys-esque \u201cColdwater Canyon.\u201d <em>Exposure<\/em> is an all-round, first-rate triumph.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Closet-cleaning time again. Standard disclaimer applies: While these capsule reviews are brief, all featured titles deserve your attention are are thus recommended. One reissue, two archival releases and two new-for-2026 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":31443,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[19,49,50,51],"tags":[2821,5943,5941,5298,5942],"class_list":["post-31441","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-compilation","category-new-release","category-new-wave","category-pop","tag-david-brookings","tag-patto","tag-penny-arcade","tag-romeo-void","tag-the-blasters","cat-19-id","cat-49-id","cat-50-id","cat-51-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/31441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=31441"}],"version-history":[{"count":4,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/31441\/revisions"}],"predecessor-version":[{"id":32404,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/31441\/revisions\/32404"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/31443"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=31441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=31441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=31441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}