{"id":30714,"date":"2026-03-04T05:30:26","date_gmt":"2026-03-04T10:30:26","guid":{"rendered":"https:\/\/blog.musoscribe.com\/?p=30714"},"modified":"2026-03-04T07:45:55","modified_gmt":"2026-03-04T12:45:55","slug":"hundred-word-reviews-for-march-2026-archival","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2026\/03\/04\/hundred-word-reviews-for-march-2026-archival\/","title":{"rendered":"Hundred-word Reviews for March 2026: Archival"},"content":{"rendered":"<p>This roundup of new(ish) archival releases features five albums, all available on good ol\u2019 back-to-vinyl.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30704\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/jeffrey_runnings.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/jeffrey_runnings.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/jeffrey_runnings-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/jeffrey_runnings-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><b>Jeffrey Runnings \u2013 Piqued<\/b><br \/>\nThough the label is bandied about with reckless abandon, Lo-fi is an actual aesthetic. For Against\u2019s Jeffrey Runnings trafficked in the style\/idiom for his solo work. Though Runnings had been working for years, <i>Piqued<\/i> is the product of his final sessions, completed shortly before his 2024 death from cancer. But listeners aren\u2019t likely to peg this music as new, as its character is timeless. Timeless, yes, but also filled with a DIY \u201880s vibe. A low-bitrate character and a bedsit Portastudio quality inform the entire affair. A true solo project, <i>Piqued<\/i> is impressionistic, hypnotic and catchy. Well worth discovering.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30705\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/darlene_love.jpg\" alt=\"\" width=\"350\" height=\"368\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/darlene_love.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/darlene_love-285x300.jpg 285w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Darlene Love \u2013 <i>Live 1982<\/i><\/b><br \/>\nThough today she\u2019s best known for her long run of holiday appearances on David Letterman\u2019s late-night show, singing \u201cChristmas (Baby Please Come Home),\u201d Darlene Love\u2019s early work as part of Phil Spector\u2019s formidable pop music machine yielded hits and lots of session work. Recorded at Hop Singh\u2019s in Marina Del Rey, California, this live document captures Love at her sustained peak. A tight, nine-piece show band (The Monte Carlos) provides backing that conjures the Spectoresque vibe, and Love delivers the hits with power, passion and panache. Her reading of \u201cWe Can Work it Out\u201d must be heard to be believed.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30703\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_american_music.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_american_music.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_american_music-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_american_music-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Blasters \u2013 <i>American Music<\/i><\/b><br \/>\nWhen they exploded on the scene with their 1981 self-titled major-label debut, the Blasters served notice that real rock \u2018n\u2019 roll was very much alive. In retrospect, their blend of punky Americana and other American forms would prove quite influential. But audiences who saw them onstage in those days (myself included; thanks, fake I.D.) might not have known about, much less heard their actual debut, 1980\u2019s <i>American Music<\/i>. Real and passionate, on this record the Blasters make acts like Stray Cats seem mannered and artificial. Stripped of filigree, <i>American Music<\/i> is the sound of a band that truly gets it.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30700\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_non_fiction.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_non_fiction.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_non_fiction-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/blasters_non_fiction-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>The Blasters \u2013 <i>Non Fiction<\/i><\/b><br \/>\nThings changed a great deal between 1980 and \u201883. The group\u2019s third album (and second for Slash Records), <i>Non Fiction<\/i> is \u2013 wait for it \u2013 a concept album. A self-produced effort, the album manages the impressive achievement of applying then-current production aesthetic (albeit no gunshot-snare) to classicist style. The result has one toe in modernity, the other nine in rock \u2018n\u2019 roll\u2019s glorious tradition. That the group was effective a seven-piece at that point helps explain the expanded sonic palette, but nothing has been lost or diluted by opening things up. This rootsy outing is a critics\u2019 favorite and overlooked gem.<\/p>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-30702\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/top_jimmy.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/top_jimmy.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/top_jimmy-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2026\/01\/top_jimmy-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Top Jimmy and the Rhythm Pigs \u2013 <i>Pigus Drunkus Maximus<\/i><\/b><br \/>\nNeither the bad name nor the album title suggest something especially appetizing. But the contents of <i>Pigus Drinkus Maximus<\/i> are in fact a tasty musical meal. This high-energy blues rock ensemble tears through its set with reckless abandon, showcasing a raucous sound that hints at what acts like Louis Prima and Louis Jordan might have sounded like live and in person. The astounding energy level never lets up as this wild outfit careens through 11 tunes. And though it sounds and feels live, <i>Pigus<\/i> is a studio set, expertly captured by producer Steve Berlin. A must-hear track: \u201cSpanish Castle Magic.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This roundup of new(ish) archival releases features five albums, all available on good ol\u2019 back-to-vinyl. Jeffrey Runnings \u2013 Piqued Though the label is bandied about with reckless abandon, Lo-fi is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":30703,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[6,9,39,49,51,58,59,60,62,64,65,66,73],"tags":[336,5849,5848,5850],"class_list":["post-30714","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-americana","category-blues","category-indie","category-new-release","category-pop","category-pub-rock","category-punk","category-rb","category-rawk","category-reissue","category-review","category-rockabilly","category-vinyl","tag-blasters","tag-darlene-love","tag-jeffrey-runnings","tag-top-jimmy","cat-6-id","cat-9-id","cat-39-id","cat-49-id","cat-51-id","cat-58-id","cat-59-id","cat-60-id","cat-62-id","cat-64-id","cat-65-id","cat-66-id","cat-73-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/30714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=30714"}],"version-history":[{"count":3,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/30714\/revisions"}],"predecessor-version":[{"id":30870,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/30714\/revisions\/30870"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/30703"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=30714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=30714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=30714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}