{"id":28592,"date":"2025-01-26T05:30:13","date_gmt":"2025-01-26T10:30:13","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=28592"},"modified":"2024-12-02T11:03:13","modified_gmt":"2024-12-02T16:03:13","slug":"five-highlights-from-90s-tribute-albums","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2025\/01\/26\/five-highlights-from-90s-tribute-albums\/","title":{"rendered":"Five Highlights from \u201890s Tribute Albums"},"content":{"rendered":"<p>All-star tribute albums have been a popular medium in the world of popular music for many years. But the CD age brought with it a renewed interest in the form. As the \u201890s dawned, record stores seemed to be filled with tribute CDs honoring a wide range of artists. And the storage capabilities of the compact disc \u2013 initially 74 minutes, soon expanded to 80 \u2013 meant that there was plenty of room for more songs, more-more-more artists.<\/p>\n<p>One of the most celebrated among the 1990s crop of tribute collections was <em>If I Were a Carpenter<\/em>, a compilation on A&amp;M Records paying tribute to sister-and-brother pop act Karen and Richard Carpenter. On the 30th anniversary of that album\u2019s release, here\u2019s a look at five tribute compilations from that era.<\/p>\n<p><strong>\u201cIf You Have Ghosts\u201d by John Wesley Harding from <em>Where the Pyramid Meets the Eye: A Tribute to Roky Erickson<\/em> (1990<\/strong>)<br \/>\nRoxy Erickson was the guitarist and front man for Texas\u2019 trailblazing psychedelic rock band the 13th Floor Elevators. Erickson\u2019s story is filled with injustice and tragedy. During one of his most troubled period \u2013 during which he was imprisoned for stealing mail \u2013 an all-star coterie of artists led by Erickson fan and friend (and music industry heavyweight) Bill Bentley put together this compilation to raise funds for Erickson. Artists as varied as ZZ Top, R.E.M., the Jesus and Mary Chain and Butthole Surfers lent their talents to the project. A highlight of the collection \u2013 which would be reissued on vinyl in 2017 for Record Store Day \u2013 is this track by modern-day troubadour John Wesley Harding, singing and playing a cover of a swinging, psychedelic track first heard on from Roky\u2019s classic 1981 LP <em>The Evil One<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DZ5kCwTlMK8?si=1wqr0WVbBeDXOuqr\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cValleri\u201d by Mitch Easter from <em>Here No Evil: A Tribute to the Monkees<\/em> (1992)<\/strong><br \/>\nWhen they first hit American television screens in 1966, the Monkees divided audiences: fans loved them, but many critics assailed what they considered the group\u2019s \u201cpre-fab,\u201d made-for-TV status. But the charts were the final arbiters: the Monkees were one of the \u201860s most popular acts. And time has been kind to their legacy. As early as 1992, a variety of then-current artists lent their talents in tribute of the Monkees. <em>Hear No Evil<\/em> featured many \u201ccollege rock\u201d artists from the South, including Peter Holsapple (the dB\u2019s) and Anne Richmond Boston (Swimming Pool Q\u2019s). Mitch Easter had already earned fame for both his work co-producing early R.E.M. albums and for his own band, Let\u2019s Active. The prodigiously talented Easter sings and plays everything on this recording of the Boyce-Hart classic.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2rbFairYtI8?si=yya61IzFnQeAvMOf\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cHey Joe\u201d by Body Count from <em>Stone Free: A Tribute to Jimi Hendrix<\/em> (1993)<\/strong><br \/>\nAs one of the most important recording artists of any era, Jimi Hendrix seemed ideal for the tribute treatment. And a dizzying array of artists came together for<em> Stone Free<\/em>. Among the highest-profile tribute projects f the era, the album featured The Cure, Eric Clapton, Pat Metheny, Jeff Beck and others covering music from Hendrix\u2019s catalog. The 14-song set is filled with inventive readings of Jimi\u2019s songs, but among the most unexpected is a faithful reading of \u201cHey Joe\u201d \u2013 a song popularized but not written by Hendrix \u2013 featuring thrash metal band Body Count with its front man, rap icon Ice-T (who, by the way, sings rather than raps here).<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2ZKkCH5jrSM?si=GCO1gCIc-hPs4075\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cTop of the World\u201d by Shonen Knife from <em>If I Were a Carpenter<\/em> (1994)<\/strong><br \/>\nConceived by producer Matt Wallace, this album earned widespread positive reviews and paved the way for even more similarly-themed releases. A parade of didn\u2019t-see-that-coming choices characterizes this collection of songs written by or for The Carpenters. The Cranberries, 4 Non Blondes and Sheryl Crow are among the 14 songs on this set. Sonic Youth\u2019s idiosyncratic take on \u201cSuperstar\u201d (which Richard Carpenter reportedly disliked) is one of the album\u2019s odder tracks, but at the other end of the spectrum is a chirpy pop-punk take on the Carpenters\u2019 Top Ten hit single from 1972, courtesy of Japanese trio Shonen Knife.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dKAQPvFG23s?si=1W6aAlgqx7xEftCB\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cPromise Her Anything\u201d by Gladhands from <em>What the World Needs Now\u2026<\/em> (1998)<\/strong><br \/>\nSongwriting team Burt Bacharach and Hal David were one of the biggest hitmakers of the 1960s. The duo composed his for Dionne Warwick, Tom Jones, Dusty Springfield and many others, scoring more than 50 Top 40 hit singles in the U.S. Most of their work fell into the pop of \u201ceasy listening\u201d category, but their influence would extend far beyond those confines. That fact is illustrated by this 1998 collection from Big Deal Records, featuring many of that label\u2019s power pop artists covering Bacharach\/David classics. Alongside Shonen Knife, Wondermints and BMX Bandits is this thrilling reading of \u201cPromise Her Anything\u201d by overlooked North Carolina band Gladhands. They rock up the song while remaining faithful to the original\u2019s brassy pop vibe. The album\u2019s cover art by <em>Mad Magazine<\/em>\u2019s Jack Davis is the icing on the tasty cake.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WwxSx3zEFrw?si=0c5BQD97_7fxLYh-\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>All-star tribute albums have been a popular medium in the world of popular music for many years. But the CD age brought with it a renewed interest in the form. 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