{"id":28357,"date":"2024-10-29T05:30:06","date_gmt":"2024-10-29T09:30:06","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=28357"},"modified":"2024-10-09T16:43:35","modified_gmt":"2024-10-09T20:43:35","slug":"take-five-classics-from-phil-lynott","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2024\/10\/29\/take-five-classics-from-phil-lynott\/","title":{"rendered":"Take Five: Classics from Phil Lynott"},"content":{"rendered":"<p>Phil Lynott was one of rock\u2019s great front men. The Black bassist from Dublin, Ireland was also one of rock\u2019s finest lyricists, penning songs that were cinematic in their vivid depiction of Lynott\u2019s stories. His epic storytelling often explored Celtic themes, but many of his songs were more universal in their approach, touching on the mythology of the American West (\u201cCowboy\u201d) and other topics.<\/p>\n<p>Lynott scored his biggest successes with Thin Lizzy, but even after he put that band to rest, he continued to embark upon creatively satisfying projects. Lynott\u2019s drug use contributed to his tragically premature death in 1986 at age 36, but he left behind a lot of great music. In celebration of his life \u2013 he would have turned 75 in August \u2013 here are five Phil Lynott classics from Thin Lizzy and beyond.<\/p>\n<p><strong>\u201cWhiskey in the Jar\u201d Thin Lizzy single (1972)<\/strong><br \/>\nIn light of Phil Lynott\u2019s brilliance as a songwriter, it\u2019s something of a surprise to realize that his first hit with Thin Lizzy was an arrangement of a classic Irish folk song. The tune\u2019s origins are lost to the mists of time, but many scholars believe it dates to the 17th century. Thin Lizzy was but one of many bands that would record versions of the song, but none of the others \u2013 not even Metallica\u2019s 2000 recording \u2013 rocks quite like Lynott and his band mates did. While the band\u2019s single didn\u2019t chart in the U.S., it went all the way to #1 in Ireland.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UAPKr46M38c?si=XYCAeyWh_q-pxStG\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cThe Boys are Back in Town\u201d from Thin Lizzy\u2019s <em>Jailbreak<\/em> (1976)<\/strong><br \/>\nAlong with the album\u2019s title track, this song is among the best-known songs written by Phil Lynott. With a richly detailed set of songs, the <em>Jailbreak<\/em> LP was almost a conceptual work. Even without thematic unity, the record was filled with powerful, anthemic songs and razor-sharp playing. Thin Lizzy\u2019s patented twin-guitar attack (here featuring Brian Robertson and Scott Gorham) is part of the successful recipe, but it\u2019s Lynott\u2019s, bass guitar, words and vocal that make it one of rock\u2019s great classics.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/56b4TTT609c?si=ci5RA5CbN_RIgjnd\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cThe Spirit of Man\u201d from <em>Jeff Wayne\u2019s Musical Version of The War of the Worlds<\/em> (1978)<\/strong><br \/>\nWith the consent of the H.G. Wells estate, American expatriate Jeff Wayne mounted an ambitious musical retelling of the classic science fiction novel, this time in musical form. Vocalists on the album included David Essex, Moody Blues guitarist Justin Hayward, Chris Thompson from Manfred Mann\u2019s Earth Band, and on this track (in the role of Parson Nathaniel), Phil Lynott. The double album was a massive hit in countries around the world, but only a minor commercial success in the U.S. (That\u2019s legendary actor Richard Burton providing narration.)<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wo4yC_UxUVE?si=hM9KerFRVe1E9saF\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cKing\u2019s Call\u201d from Phil Lynott\u2019s <em>Solo in Soho<\/em> (1980)<\/strong><br \/>\nEven through Thin Lizzy was still a going concern in 1980, Lynott stepped out on his own for his debut album as a solo artist. The seething, moody \u201cKing\u2019s Call\u201d has a sinister vibe not far removed from Thin Lizzy\u2019s best tracks. Lynott\u2019s lyrics are an oblique tribute to Elvis Presley, and the recording features Dire Straits leader Mark Knopfler on lead guitar. <em>Solo in Soho<\/em> earned widespread positive reviews.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2oliMOPsXis?si=K3vFtPraQDxsbU8K\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cSarah\u201d from Grand Slam\u2019s<em> Slam Anthems<\/em> (2023)<\/strong><br \/>\nAfter Thin Lizzy broke up, Lynott formed a new band, Grand Slam. The group was unsuccessful in landing a record deal, but did make a number of recordings that would be released in the years after Lynott\u2019s death. One of Grand Slam\u2019s most notable tracks is \u201cSarah,\u201d a romantic, melodic and midtempo number with hints of Caribbean steel drum and analog synthesizer. The song had first been recorded by Thin Lizzy, appearing on that group\u2019s 1979 record <em>Black Rose: A Rock Legend<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/1t2xA9Mx3lQ?si=fkp2byV867nnpZGm\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Phil Lynott was one of rock\u2019s great front men. The Black bassist from Dublin, Ireland was also one of rock\u2019s finest lyricists, penning songs that were cinematic in their vivid [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":28358,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[1698],"class_list":["post-28357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-phil-lynott","cat-27-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=28357"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28357\/revisions"}],"predecessor-version":[{"id":28359,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/28357\/revisions\/28359"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/28358"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=28357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=28357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=28357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}