{"id":27561,"date":"2024-05-27T05:30:05","date_gmt":"2024-05-27T09:30:05","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=27561"},"modified":"2024-05-23T10:48:21","modified_gmt":"2024-05-23T14:48:21","slug":"album-review-tony-monaco-trio-over-and-over","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2024\/05\/27\/album-review-tony-monaco-trio-over-and-over\/","title":{"rendered":"Album Review: Tony Monaco Trio \u2013 Over and Over"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-27562\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/05\/monaco_over.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/05\/monaco_over.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/05\/monaco_over-300x300.jpg 300w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2024\/05\/monaco_over-150x150.jpg 150w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>If we\u2019re honest with ourselves, we must acknowledge that when it comes to jazz, we\u2019re dealing with a remarkably slim sliver of the listening public. As great as it is, jazz is just about the least-popular genre of music today. As Spinal Tap\u2019s manager Ian Faith might have said, it has a \u2018selective audience.\u201d<\/p>\n<p>To make matters even more challenging, there exist within the genre a number of subcategories. If one were to somehow to plot them out on a graph, between the dot representing hard bop and the indicator for (god help us) smooth jazz, there would be a subcategory called soul jazz. And it\u2019s the sweet spot, combining the energy and adventurousness of bop with the accessibility of (god help us again) smooth jazz. I prefer to call the latter \u201cforecast on the 8\u2019s\u201d music. <i>Ugh<\/i>.<\/p>\n<p>But back to my point. Soul jazz draws from gospel and soul, applying structure and tunefulness that hard bop sometimes (for mostly good reasons) does not possess.<\/p>\n<p>The Tony Monaco Trio exists in this sweet spot. Monaco\u2019s latest and 13<sup>th<\/sup> album, <i>Over and Over<\/i> finds him in a familiar place; seated at his Hammond B3 organ. He\u2019s aided in his tasty musical pursuits by guitarist Zakk Jones and Reggie Jackson on drums. No bass, of course: those frequencies are for Monaco\u2019s feet to cover.<\/p>\n<p>This music swings. It\u2019s toe-tapping, tuneful and tight. Monaco makes effective use of the varieties of tone color that exist within the B3\u2019s capabilities. Jones and Jackson are primarily in support roles, but they take their well-earned turns in the spotlight. The melodies twist and turn enough to keep jazzheads interested, but the arrangement are straightforward enough not to scare away those who want to be able to follow.<\/p>\n<p>Of course there are bits of bossa nova (check \u201cMy Lil\u2019 Rosie Girl\u201d). And Jackson lays down a superb groove throughout, especially on cuts like \u201cOver and Over (I Want You).\u201d All but one of the album\u2019s seven track run in excess of six minutes (the title track is over nine minutes) but not a note is wasted, and the trio never wears out its welcome. Sure, you could use <i>Over and Over<\/i> as the low-volume aural backdrop to a classy evening at home, but it offer rewards when one turns the volume knob in a clockwise fashion as well. Recommended.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If we\u2019re honest with ourselves, we must acknowledge that when it comes to jazz, we\u2019re dealing with a remarkably slim sliver of the listening public. As great as it is, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[40,42,49,65],"tags":[5424],"class_list":["post-27561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instrumental","category-jazz","category-new-release","category-review","tag-tony-monaco","cat-40-id","cat-42-id","cat-49-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/27561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=27561"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/27561\/revisions"}],"predecessor-version":[{"id":27563,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/27561\/revisions\/27563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/27562"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=27561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=27561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=27561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}