{"id":26721,"date":"2024-02-11T05:30:50","date_gmt":"2024-02-11T10:30:50","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=26721"},"modified":"2024-01-14T08:48:35","modified_gmt":"2024-01-14T13:48:35","slug":"take-five-classic-covers-by-the-ramones","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2024\/02\/11\/take-five-classic-covers-by-the-ramones\/","title":{"rendered":"Take Five: Classic Covers by The Ramones"},"content":{"rendered":"<p>The Ramones burst onto the music scene like a breath of (if not fresh than) New York City air. The foursome played a high-speed, stripped down punk version of rock \u2018n\u2019 roll, and their approach \u2013 from music to their distinctive visual aesthetic \u2013 wold prove hugely influential. But the Ramones didn\u2019t come out of nowhere: the group made no secret of its love for the pop music that had come before. The Ramones would include a cover song on each of their first several albums, each delivered in the band\u2019s own inimitable style. Their choice of songs provided clues that helped place their original music in its proper context.<\/p>\n<p>Later in their career, the Ramones would record an entire album\u2019s worth of ace covers, 1993\u2019s <em>Acid Eaters<\/em>, but the earlier tracks \u2013 five of which are featured here \u2013 arguably capture them at their best.<\/p>\n<p><strong>\u201cLet\u2019s Dance\u201d from <em>Ramones<\/em> (1976)<\/strong><br \/>\nChris Montez recorded \u201cLet\u2019s Dance\u201d a pop song written by Jim Lee, in 1962. The song was wildly successful on release, climbing quickly to the #4 spot on the <em>Billboard<\/em> singles chart. It fared nearly as well in England, where it reached #2. Re-released a decade later, \u201cLet\u2019s Dance\u201d charted yet again, making it to the top five in both Germany and the U.K. The tune would be covered by many other acts, including Sylvie Vartan, Tony Sheridan and Slade. The Ramones\u2019 version would be the sole cover on their debut album.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W3rynG8PF0I?si=poIGI3oHA-YEkC_I\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cCalifornia Sun\u201d from <em>Leave Home<\/em> (1977)<\/strong><br \/>\nEven though they were billed as a surf-rock band, The Rivieras hailed from South Bend, Indiana. (The waves on nearby Lake Michigan aren\u2019t conducive to surfing.) The teenage foursome had a hit with \u201cCalifornia Sun\u201d in 1964, though the song itself dates from 1961, when first recorded by r&amp;b singer and songwriter Joe Jones (early singles falsely credited notorious music figure and mobster Morris Levy as composer). The Rivieras\u2019 cover held onto the singles charts for 10 weeks. The Ramones\u2019 version \u2013 featured on their second LP \u2013 was also used in the film <em>Rock \u2018n\u2019 Roll High School<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/u-WjrY-zY50?si=16ObdwKx7fm0W1Wr\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cSurfin\u2019 Bird\u201d from <em>Rocket to Russia<\/em> (1977)<\/strong><br \/>\nOne of the wackiest one hit wonders in pop music history is \u201cSurfin\u2019 Bird\u201d by the Trashmen. Released as a single in 1963, the two-minute song is actually a combination of two other songs previously recorded by other artists. But the Trashmen made the tune their own by adding an improvised vocal section to the middle. For their efforts, they earned the #4 spot on the <em>Billboard<\/em> singles chart. Their followup, \u201cBird Dance Beat \u201cdidn\u2019t fare as well, and the group broke up by 1967. The Ramones\u2019 amped-up cover of \u201cSurfin\u2019s Bird\u201d is a highlight of their third LP.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/V_48Qz_Oj6g?si=0H3RgGOVhYezxky8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cNeedles and Pins\u201d from <em>Road to Ruin<\/em> (1978)<\/strong><br \/>\nThere have been many recorded versions of \u201cNeedles and Pins,\u201d the 1962 song written by producer-arrangers Jack Nitzsche and Sonny Bono. Jackie DeShannon had the first (minor) hit with it in \u201863; the Searchers followed with a worldwide smash (US #13, U.K. and elsewhere #1) in 1964. Moving a bit beyond their punk sound, the Ramones covered the song with jangling guitars on <em>Road to Ruin<\/em>. It wasn\u2019t released as a single.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bIaKHIyjrN0?si=eOKML_Qf2ERjt0xP\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cBaby, I Love You\u201d from <em>End of the Century<\/em> (1980)<\/strong><br \/>\nIn one of the oddest pairings in pop history, The Ramones worked with producer Phil Spector on their fifth album, 1980\u2019s <em>End of the Century<\/em>. While the group&#8217;s bubblegum roots and affinity for girl-group songs had long been well known, Phil Spector\u2019s signature \u201cwall of sound\u201d production approach was a radical departure for the Ramones. The album was nonetheless the band\u2019s biggest-ever selling release. And while none of the group members played on it, Joey Ramone\u2019s vocal has a quirky charm, backed by syrupy strings and drums (by famed session player Jim Keltner).<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/t6jI4kXz5pc?si=t3ondJk_eZJa4Z1m\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ramones burst onto the music scene like a breath of (if not fresh than) New York City air. The foursome played a high-speed, stripped down punk version of rock [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":26722,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[5095,3752],"class_list":["post-26721","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-ramones","tag-the-ramones","cat-27-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=26721"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26721\/revisions"}],"predecessor-version":[{"id":26723,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26721\/revisions\/26723"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/26722"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=26721"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=26721"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=26721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}