{"id":26167,"date":"2023-10-20T05:30:53","date_gmt":"2023-10-20T09:30:53","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=26167"},"modified":"2023-10-06T07:28:28","modified_gmt":"2023-10-06T11:28:28","slug":"take-five-notable-xtc-tracks-by-colin-moulding","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2023\/10\/20\/take-five-notable-xtc-tracks-by-colin-moulding\/","title":{"rendered":"Take Five: Notable XTC Tracks by Colin Moulding"},"content":{"rendered":"<p>Singer-songwriter-bassist Colin Moulding came to fame as a founding member of new wave\/art pop band XTC. The Swindon, England-based group is perhaps best known as a vehicle for the songs of Andy Partridge, but while Moulding has been a far less prolific songwriter, his high-quality songs are a key to the success \u2013 both critical and commercial \u2013 of XTC. Prior to and since that band\u2019s dissolution in 2006, Moulding occasionally worked outside the band as well, collaborating with a fascinating assortment of other artists including Anton Barbeau, Days Between Stations and Billy Sherwood\u2019s Prog Collective. Here are five XTC tracks that showcase the creative artistry of Colin Moulding.<\/p>\n<p><strong>\u201cLife Begins at the Hop\u201d (single, 1979)<\/strong><br \/>\nEarly XTC tracks \u2013 like those presented on the band\u2019s 1979 debut album <em>White Music<\/em> and <em>Go 2<\/em>, released the same year \u2013 were often characterized by a herky-jerky, nervous character. \u201cLife Begins at the Hop\u201d has some of that quality, but Moulding\u2019s songwriting displays catchy pop values, making the song the best of both worlds. The band\u2019s fifth single, it was XTC\u2019s first to chart in the UK, Australia and Canada. Greater success was just around the corner.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RoSfTe9cI-M\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cMaking Plans for Nigel\u201d from <em>Drums and Wires<\/em> (1979)<\/strong><br \/>\nGuitarist Andy Partridge composed the lion\u2019s share of XTC\u2019s material, but it was another tune from the pen of Colin Moulding that would give the band its breakthrough hit single. An incisive look at privilege through the prism of workaday England, \u201cMaking Plans for Nigel\u201d Rose into the Top 40 in the UK, Canada, Netherlands and New Zealand. Next stop: America.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AiIlcew-GVM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cGenerals and Majors\u201d from <em>Black Sea<\/em> (1980)<\/strong><br \/>\nThough the brief Falklands War \u2013 a ten-week skirmish in which Great Britain and Argentina fought over a sparsely-populated mountainous archipelago in the South Atlantic \u2013 wouldn\u2019t break out until 1982, Moulding\u2019s prescient \u201cGenerals and Majors\u201d was a sardonic comment on the military complex\u2019s unending appetite for conflict. Set to a bouncy, upbeat melody and rhythm, \u201cGenerals and Majors\u201d would be one of relatively few hit singles to feature a whistling chorus. The tune reached #28 on <em>Billboard<\/em>\u2019s Album Rock Tracks chart, XTC\u2019s first US chart placement. (And yes, that\u2019s Richard Branson in the video.)<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/p-JeQduJ0f8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cGrass\u201d from <em>Skylarking<\/em> (1986)<\/strong><br \/>\nOften cited as XTC\u2019s finest moment \u2013 though many other of the group\u2019s albums vie for that honor \u2013 <em>Skylarking<\/em> was part song cycle, part loosely conceptual work, part collection of top-flight songs that could stand on their own. Moulding\u2019s \u201cGrass\u201d is a romantic, idyllic slice of pastoral songwriting, and the title\u2019s double meaning made it successful on multiple levels. Released as a single, it only made to to #100 on the UK charts, but \u201cGrass\u201d remains a fan favorite off the Todd Rundgren-produced album.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nyvgFFAzwzA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>\u201cVanishing Girl\u201d from <em>Psonic Psunspot<\/em> by The Dukes of Stratosphear (1987)<\/strong><br \/>\nWhen XTC was first getting started, the band considered calling itself The Dukes of Stratosphear, but Partridge reportedly rejected the name as \u201ctoo psychedelic.\u201d But that name was a perfect fit for XTC\u2019s pseudonymous side project in which the group-in-disguise applied its talents to making music in the style of Traffic, the Electric Prunes and other late-sixties legends. The most accessible track from the Dukes\u2019 slim catalog \u2013 an EP and an album \u2013 is Colin Moulding\u2019s delightful \u201cVanishing Girl.\u201d<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/a14n6Nqih4s\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Singer-songwriter-bassist Colin Moulding came to fame as a founding member of new wave\/art pop band XTC. The Swindon, England-based group is perhaps best known as a vehicle for the songs [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":26168,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[5251,2407],"class_list":["post-26167","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-colin-moulding","tag-xtc","cat-27-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=26167"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26167\/revisions"}],"predecessor-version":[{"id":26169,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/26167\/revisions\/26169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/26168"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=26167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=26167"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=26167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}