Shirley Scott<\/a> date. Now comes a third: the double-CD release Bish at the Bank: <\/i>Live in Baltimore<\/i> draws from two performances led by pianist Walter Bishop, Jr. One dates from February 1967 at the Famous Ballroom, and another features Bishop and band at the city\u2019s Madison Club some six months before.<\/p>\nThe lineup for both shows is the same, featuring the rhythm section of Lou McIntosh (bass) and drummer Dick Berk plus Harold Vick on saxes and flute. The two discs feature a total of eight numbers; each track runs in excess of ten minutes. But no time is wasted, as Bishop and his band dig into the grooves and explore the capabilities of their instruments.<\/p>\n
The sound is on a par with the those other recent releases, which is to say that it\u2019s flawless. The performances are thrilling and engaging, and the material selections are eclectic and inspired. Bishop \u2013 who, while nominally the leader, happily makes way for his talented sidemen to do their things \u2013 serves up a pair of sets that includes numbers by Jobim, Sammy Fain, Miles Davis (two, in fact: \u201cSo What\u201d and \u201cPfrancing (No Blues),\u201d both from the \u201867 date) and more. Subtlety and passion are showcased in equal measure.<\/p>\n
By now it\u2019s verging on repetition to observe that the liner notes accompanying a Feldman\/Weeds project are exemplary, but it nonetheless bears repeating. The 32pp booklet that accompanies the digipak CD configuration of Bish at the Bank<\/i> is filled with excellent archival photos and illuminating essays. Bishop isn\u2019t among the better-known of jazz pianists, but one listen to this set will leave you wondering why that\u2019s so. Recommended. And let\u2019s keep on the lookout for more from Zev and Cory.<\/p>\n","protected":false},"excerpt":{"rendered":"
Baltimore, Maryland had a thriving and lively jazz scene in the mid-to late 1960s and well into the early \u201870s. Proof positive was the success of the Famous Ballroom, a […]<\/p>\n","protected":false},"author":1,"featured_media":25148,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[40,42,49,65],"tags":[4800,5114,3183],"class_list":["post-25147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-instrumental","category-jazz","category-new-release","category-review","tag-reel-to-real","tag-walter-bishop-jr","tag-zev-feldman","cat-40-id","cat-42-id","cat-49-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=25147"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25147\/revisions"}],"predecessor-version":[{"id":25149,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/25147\/revisions\/25149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/25148"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=25147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=25147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=25147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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Baltimore, Maryland had a thriving and lively jazz scene in the mid-to late 1960s and well into the early \u201870s. Proof positive was the success of the Famous Ballroom, a nightclub situated in what had formerly been the city\u2019s passenger railway power house. During the venue\u2019s heyday, all manner of esteemed jazz players stopped by to play sets. And thanks to the intrepid jazz detectives Cory Weeds and Zev Feldman, a cache of high quality recordings has been brought to light. Those tapes document some of the more notable performances. And now in 2023, three of those have been released on compact disc (and vinyl).<\/p>\n