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Owing to a fascinating and complicated set of circumstances, for many years American musicians of color were recognized and celebrated more in the UK and Europe than they were at home. This was the case for quite a few jazz and blues artists; revered overseas, some made the transatlantic trek to appear in front of rapturously appreciative audiences.<\/p>\n
So it was in 1962 in Manchester, England. Situated some 200 miles northwest of London and with a population of nearly a quarter million, Manchester enthusiastically hosted the inaugural American Folk Blues Festival in 1962. Conceived by German journalist Joachim-Ernst Berendt, the traveling event visited Germany, Switzerland, Austria and France; a pair of shows on October 21 at Manchester\u2019s Free Trade Hall marked the end of the tour.<\/p>\n
Featured performers \u2013 all from the American South \u2013 included Willie Dixon, Jimmy D. \u201cShaky Jake\u201d Harris, John Lee Hooker, Helen Humes, Memphis Slim, Sonny Terry & Brownie McGhee, and T-Bone Walker. Selections from performances by the four most well-known among those \u2013 Dixon, Memphis Slim, Terry & McGhee and Walker \u2013 are featured on this newly-released CD.<\/p>\n
The performances were captured for British television, broadcast as Jazz Unlimited<\/i> one year after the concerts. The monaural audio from those recordings is surprisingly sharp. After a radio announcer’s introduction, Terry & McGhee present acoustic guitar and harmonica readings of popular and traditional folk blues numbers (\u201cKansas City Blues,\u201d \u201cI\u2019m Leaving in the Morning,\u201d the vocal harmony showcase \u201cI\u2019m a Poor Man But a Good Man\u201d and \u201cEasy Rider\u201d) to a wildly ecstatic audience.<\/p>\n
Backed by a full band including piano, Memphis Slim delivers a soulful reading of Big Bill Broonzy\u2019s \u201cJust a Dream.\u201d Bassist \u201cWee\u201d Willie Dixon \u2013 the point man who helped organizers line up the impressive bill of artists \u2013 is featured on his first appearance in front of a British audience, singing and playing a co-write with Memphis Slim, \u201cSittin\u2019 and Cryin\u2019 the Blues.\u201d<\/p>\n
Fronting a small combo, fiery guitarist T-Bone Walker wraps up the set with three tunes: \u201cCall it Stormy Monday,\u201d \u201cMy Baby (Is Now on My Mind)\u201d and \u2013 joined by all of the artists on the bill \u2013 \u201cBye Bye Baby.\u201d Up to this point, the audience held its reaction until the end of each number; here they clap along and roar in appreciation throughout the brief number.<\/p>\n
It\u2019s difficult to emphasize just how important the Manchester shows would turn out to be. In the audience were Keith Richards, Mick Jagger and Brian Jones; the Londoners had played their first gig as the Rolling Stones a mere three months earlier. Young session guitarist Jimmy Page \u2013 later of the Yardbirds and Led Zeppelin \u2013 was also at the Manchester festival.<\/p>\n
American Folk Blues Festival Live in Manchester 1962<\/i> would be worth acquiring if only for the music contained therein, but this new package offers more. The CD package includes a 24-page booklet filled with superb black-and-white photos of the event, memorabilia, newspaper clippings and a contemporary review in Jazz Monthly<\/i> by G.E. Lambert.<\/p>\n","protected":false},"excerpt":{"rendered":"
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