{"id":17570,"date":"2019-10-26T05:30:14","date_gmt":"2019-10-26T09:30:14","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=17570"},"modified":"2019-09-25T16:01:46","modified_gmt":"2019-09-25T20:01:46","slug":"patti-smith-archetype-of-the-uncompromising-poet-rocker","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2019\/10\/26\/patti-smith-archetype-of-the-uncompromising-poet-rocker\/","title":{"rendered":"Patti Smith: Archetype of the Uncompromising Poet\/rocker"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-17571\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/09\/patti_smith.jpg\" alt=\"\" width=\"350\" height=\"354\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/09\/patti_smith.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/09\/patti_smith-297x300.jpg 297w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>Over the course of her years in the creative world, Patti Smith has been called many things: muse, musician, rocker, activist, wife. But the one word that has always been the best to describe her is <i>poet<\/i>. An incalculably important part of the early 1970s underground rock scene in New York City, Smith would influence generations to come. While much of her work stands well outside the boundaries of what anyone would classify as commercial (\u201cPiss Factory,\u201d anyone?) Smith always brings a sense of realism and unvarnished honesty to her work.<\/p>\n<p>\u201cJesus died for somebody&#8217;s sins \/ but not mine.\u201d Smith wrote that line \u2013 one of rock&#8217;s most enduring lyrics \u2013 in her rewrite of the rock chestnut \u201cGloria.\u201d It&#8217;s one of several highlights on <i>Horses<\/i>, perhaps the most revered of all her works. <i>Horses<\/i> received \u2013 and continues to earn \u2013 near-unanimous critical praise; the nexus of poetry and punk, it&#8217;s widely considered a masterpiece.<\/p>\n<p>Perhaps it&#8217;s fitting that Patti Smith&#8217;s two most accessible and\/or commercially-leaning projects are the ones least appreciated by her most ardent fans. Working with longtime friend and producer Todd Rundgren, the Patti Smith Group released <i>Wave<\/i> in 1979 as a kind of farewell to the rock world. It&#8217;s perhaps the best balancing act between Smith&#8217;s arty predilections and mainstream rock; of course it sold less than the less-accessible <i>Easter<\/i> than came before it.<\/p>\n<p>After an extended break during which she raised a family with ex-MC5 guitarist Fred \u201cSonic\u201d Smith, Patti Smith returned with her first \u201csolo\u201d album, 1988&#8217;s <i>Dream of Life<\/i>. Its standout track (released as a single) \u201cPeople Have the Power\u201d is the sound of Smith attempting to write an anthem, and it&#8217;s largely successful on that score.<\/p>\n<p>Another eight years passed before Smith would release a followup; <i>Gone Again<\/i> dealt with the loss of several of the artist&#8217;s close friends, most notably Fred \u201cSonic\u201d Smith. It would be the first in a consistent string of releases (up through 2012&#8217;s <i>Banga<\/i>) that enjoyed critical plaudits but failed to light the charts afire. Along the way, Smith&#8217;s writing career continued apace; she currently has nearly 20 published books \u2013 memoirs, poetry collections, etc. \u2013 to her name.<\/p>\n<p>Smith made news again in 2017 with a bravura acceptance speech delivered on behalf of Nobel Prize for Literature winner Bob Dylan. She continues to tour often, primarily in large markets where her sophisticated approach is most readily embraced.<\/p>\n<p><em>This essay appeared previously in NewCity.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over the course of her years in the creative world, Patti Smith has been called many things: muse, musician, rocker, activist, wife. But the one word that has always been [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17571,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[27],"tags":[4007],"class_list":["post-17570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essay","tag-patti-smith","cat-27-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/17570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=17570"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/17570\/revisions"}],"predecessor-version":[{"id":17572,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/17570\/revisions\/17572"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/17571"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=17570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=17570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=17570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}