{"id":17031,"date":"2019-07-07T05:30:08","date_gmt":"2019-07-07T09:30:08","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=17031"},"modified":"2019-06-19T16:16:09","modified_gmt":"2019-06-19T20:16:09","slug":"long-live-the-king-the-b-b-king-blues-band-carries-on","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2019\/07\/07\/long-live-the-king-the-b-b-king-blues-band-carries-on\/","title":{"rendered":"Long Live the King: The B.B. King Blues Band Carries On"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-17032\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band_cd.jpg\" alt=\"\" width=\"350\" height=\"350\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band_cd.jpg 350w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band_cd-150x150.jpg 150w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band_cd-300x300.jpg 300w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/>B.B. King was a towering figure in the blues. An artist whose appeal crossed over to a much wider audience, the man born Riley B. King made an indelible mark on the uniquely American musical form. His career lasted more than a half century, ending with his death at age 89 in 2015. But his crack band chose to keep the blues flame alive by continuing after King&#8217;s passing.<\/p>\n<p>King&#8217;s distinctive playing style \u2013 alternating between soulful vocals and searing, single-note guitar runs, but never both at once \u2013 helped make him one of the most popular (and oft-imitated) musicians in the blues idiom. He scored his first #1 hit single on the R&amp;B charts in 1951 with \u201c3 O&#8217;Clock Blues,\u201d but it was in the early &#8217;60s that King hit his commercial stride. A long string of hit singles began with 1961&#8217;s \u201cSomeday\u201d and continued well into the 1990s with \u201cThe Blues Come Over Me.\u201d King scored a late-career hit with his 2000 collaboration with Eric Clapton, the title track from the duo&#8217;s album <i>Riding with the King<\/i>.<\/p>\n<p>The man was prolific; between his 1956 debut album <i>Singin&#8217; the Blues<\/i> and his final long-player (2008&#8217;s superb <i>One Kind Favor<\/i>), King released nearly four dozen albums. He won 15 Grammy Awards, and was nominated an additional six times. He was one of the first artists inducted into the Rock &amp; Roll Hall of Fame in 1987, the hall&#8217;s second year. Even when beset by health problems, King remained musically active right up until his passing.<\/p>\n<p>Today, King&#8217;s ten-person band maintains a solid schedule of live performances; depending on the date, today the B.B. King Blues Band is fronted by vocalist-guitarist Michael Lee (Star of TV&#8217;s <em>The Voice<\/em>), Claudette King or (on occasion) both. King, daughter of B.B. performs on about half of the band&#8217;s dates. For a run of a year and a half \u2013 ending earlier this year, Tito Jackson of pop royalty the Jackson 5 \u2013 was a featured vocalist as well.<\/p>\n<p>But even the core band features powerhouse blues players. Band leader and trumpeter James \u201cBoogaloo\u201d Bolden earned his nickname from B.B. himself. Bolden \u2013 a member of King&#8217;s band for more than three decades \u2013 moves energetically about the stage while he plays; King took notice early on and bestowed the playful sobriquet upon him.<\/p>\n<p>Lead saxophonist Eric Demmer was a member of Clarence \u201cGatemouth\u201d Brown&#8217;s band for 12 years before joining King&#8217;s outfit. Memphis-born bassist Russell Jackson got his professional start in Chicago blues man Otis Clay&#8217;s band; he went on to play with B.B. King for the last six and a half years of the legend&#8217;s life. Sax man Walter King is B.B.&#8217;s nephew and a band member since 1980.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-17033\" src=\"http:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band.jpg\" alt=\"\" width=\"550\" height=\"287\" srcset=\"https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band.jpg 550w, https:\/\/blog.musoscribe.com\/wp-content\/uploads\/2019\/06\/bbking_band-300x157.jpg 300w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>A new album, <i>The Soul of the King<\/i>, provides a studio document of the band&#8217;s skill and intensity. The album digs deep into King&#8217;s catalog with songs like \u201cPaying the Cost to Be the Boss,\u201d a B.B. Originally written in 1968, but rarely performed onstage. A 1997 recording of the song featured King backed by acolytes the Rolling Stones.<\/p>\n<p>An all-star cast of guests lends extra firepower to The Soul of the King. That list includes guitarist Kenny Wayne Shepherd, Kenny Neal, Diunna Greenleaf and many others. R&amp;B vocalist Mary Griffin turns in an especially noteworthy vocal performance on \u201cPaying the Cost to Be the Boss,\u201d where she&#8217;s joined by Taj Mahal on guitar.<\/p>\n<p>Original songs \u2013 primarily from the pens of Demmer and Russell Jackson \u2013 fit in seamlessly alongside King classics like \u201cSweet Little Angel,\u201d a song that first appeared on a B.B. King single in 1956. Blues guitarist and historian Joe Louis Walker wrote, sang and played lea guitar on \u201cRegal Blues (A Tribute to the King),\u201d a centerpiece of the band&#8217;s new album.<\/p>\n<p>But a studio record can only go so far to convey the searing emotional content \u2013 fun, humor, pathos, pain and ecstasy \u2013 of a blues show. So it&#8217;s onstage that the B.B, King Blues Band is best experienced. Four years after the loss of its leading light, the band continues in a manner that&#8217;s at once faithful to King&#8217;s legacy and wholly entertaining.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>B.B. King was a towering figure in the blues. An artist whose appeal crossed over to a much wider audience, the man born Riley B. King made an indelible mark [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":17033,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[9,49,65],"tags":[273],"class_list":["post-17031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues","category-new-release","category-review","tag-bb-king","cat-9-id","cat-49-id","cat-65-id","has_thumb"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/17031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=17031"}],"version-history":[{"count":1,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/17031\/revisions"}],"predecessor-version":[{"id":17034,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/17031\/revisions\/17034"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/17033"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=17031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=17031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=17031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}