{"id":140,"date":"2010-01-14T05:34:35","date_gmt":"2010-01-14T10:34:35","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=140"},"modified":"2010-01-14T05:34:35","modified_gmt":"2010-01-14T10:34:35","slug":"album-review-jeff-norwood-awendaw","status":"publish","type":"post","link":"https:\/\/blog.musoscribe.com\/index.php\/2010\/01\/14\/album-review-jeff-norwood-awendaw\/","title":{"rendered":"Album Review: Jeff Norwood &#8211; Awendaw"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/jeff_norwood_awendaw.jpg\" align=\"right\" height=\"200\" hspace=\"10\" vspace=\"10\" width=\"200\" \/>South Carolina acoustic bluesman<strong> Jeff Norwood<\/strong> conjures the spirits of <strong>Mississippi Fred McDowell<\/strong> and <strong>Robert Johnson<\/strong> on <em>Awendaw<\/em>. Using little more than (mostly) acoustic guitar, dobro, bass and footstomps, Norwood convincingly puts forth his tales in a style that&#8217;s authentic, not a mere pastiche. Familiar setting and characters populate Norwood&#8217;s song stories: the <strong><a href=\"http:\/\/en.wikipedia.org\/wiki\/Dick_cheney\">Devil<\/a><\/strong>, swamps, dusty roads and the like figure prominently in the nine songs. Singing in a voice soaked in just enough wear-and-tear to render the songs properly, Norwood turns out songs is spare arrangements that place the focus squarely on voice and guitar.<\/p>\n<p>Norwood lives, writes and records in the titular locale, Awendaw SC, a tiny (pop. approx. 1200) coastal community between Charleston and Myrtle Beach, but likely worlds apart culturally from either.<\/p>\n<p>&#8220;Horny Road&#8221; is electrified but still quite stark in its arrangement. A sly guitar figure references the <strong>Rolling Stones<\/strong>&#8216; &#8220;Honky Tonk Women,&#8221; a tacit acknowledgment of Norwood&#8217;s previous incarnation as a rock musician. The song includes lyrical references to online friends, SUVs, malls and other trappings of modern life, but they&#8217;re set against a chirping-crickets background. Listeners will swat away imaginary mosquitoes.<\/p>\n<p>&#8220;Walking Catfish Blues&#8221; illustrates that humor is an important ingredient in the blues; it need not be all melodrama, and Norwood demonstrates this. All of the tunes save one are Norwood originals. &#8220;Call Me Money&#8221; features distorted slide guitar, and calls to mind some of <a href=\"http:\/\/www.musoscribe.com\/features\/johnny_winter.shtml\"><strong>Johnny Winter<\/strong><\/a>&#8216;s excursions into the Delta blues subgenre. On Fred McDowell&#8217;s &#8220;Kokomo Blues&#8221; Norwood lopes along; he makes the song his own while retaining the character of the composer&#8217;s style. Norwood also uses the tune to showcase his playing to a greater degree than on his original numbers.<\/p>\n<p>Norwood manages three things on <em>Awendaw<\/em>: he serves up interesting and engaging song-stories that keep the listener involved; he plays in a style that purists would find little about to complain; and he changes things up enough musically to keep things interesting.<\/p>\n<p><center><\/p>\n<p style=\"font-size: 9px\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow &#8220;the_musoscribe&#8221; on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" hspace=\"1\" vspace=\"0\" width=\"18\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n<p style=\"font-size: 9px\"> DISCLOSURE OF MATERIAL CONNECTION:<br \/>\n<a href=\"http:\/\/cmp.ly\/1\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/cmply_1.png\" alt=\"I have a material connection because I received a sample or review copy, or an item of nominal value that I can keep for consideration in preparing to write this content. I was\/am expected to return this item after my review.\" border=\"0\" \/><\/a><\/p>\n<p><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>South Carolina acoustic bluesman Jeff Norwood conjures the spirits of Mississippi Fred McDowell and Robert Johnson on Awendaw. Using little more than (mostly) acoustic guitar, dobro, bass and footstomps, Norwood [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-140","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=140"}],"version-history":[{"count":0,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/140\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}