{"id":24580,"date":"2022-12-20T13:14:21","date_gmt":"2022-12-20T18:14:21","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?page_id=24580"},"modified":"2025-12-02T12:50:08","modified_gmt":"2025-12-02T17:50:08","slug":"best-classic-bands-essays-and-interviews","status":"publish","type":"page","link":"https:\/\/blog.musoscribe.com\/index.php\/best-classic-bands-essays-and-interviews\/","title":{"rendered":"Best Classic Bands: Essays and Interviews"},"content":{"rendered":"

Most publications — online and\/or in print — assert a kind of temporary ownership of commissioned pieces; after that embargo, the non-exclusive rights to those works revert to the author. It’s at that point that I repost my work for other outlets (features, interviews, essays and such) here on Musoscribe. But occasionally there exists a publication that doesn’t follow this industry standard. In the case of BestClassicBands.com, they assert ownership of writers’ work in perpetuity<\/em> — no, really<\/em> — and don’t allow it to be republished elsewhere.<\/p>\n

I found that out only after I had written eight pieces for them. Of course I stopped writing for them as soon as I discovered that policy, but in the process I unknowingly signed away seven essays and an interview. More fool me, as the saying goes.<\/p>\n

Anyway, here’s links to them.<\/p>\n