stick men Archive

AUDIO: A Conversation with Tony Levin of Stick Men

For more than a decade now, Musoscribe has been home to my interviews, features, reviews and essays, all in print form. Going forward, I’ll be expanding into audio and possibly even video content. As a little taste of that — and because it’s really worthwhile on its own merits — here’s audio of a conversation

30 Days Out, April 2022 #1: Philip Glass Ensemble, Moon Hooch, Samantha Fish, Stick Men

There’s some fantastic live music coming to Asheville in the next 30 days. No foolin’: sophisticated modern minimalism, a sax-and-drums trio that’s equal parts out-there and accessible, a blues (and more) hero for the 21st century, and some of the most compelling and powerful instro-prog you’ll ever experience. Roll your pennies and go to the

Hundred-word Reviews for Nov./Dec. 2016, Part 9 of 10

Gary Ritchie – Poptimistic Style: powerpop Melodic, good-natured powerpop is the order of the day on Ritchie’s new album. Musical touchstones include the obvious ones (Beatles, Raspberries, Romantics) and some perhaps less obvious ones (he reminds me a good bit of Donnie Iris). There’s always room on my shelf for some quirk-free rock ‘n’ roll,

Stick Man for Stick Men: The Pat Mastelotto Interview, Part 2

Continued from Part One… BK: This is an oversimplification, but bear with me. In rock, the drums pretty much keep the beat. In jazz, the beat is often implied. In progressive rock of the sort you do with Stick Men, your role seems to be somewhere in between, and the drums take on a role

Stick Man for Stick Men: The Pat Mastelotto Interview, Part 1

Though his major-label introduction to the rock world was as drummer for Mr. Mister, Pat Mastelotto’s résumé would subsequently include a staggering list of credits in a dizzying array of different projects. His work with King Crimson – as part of the renowned “double trio” configuration (on and off since around 1995) is perhaps his