Dedicated fans of 1970s rock know that Alice Cooper means two different things: there’s the vocalist born Vincent Furnier, and there’s the group he fronted from the late 1960s (when they were known as The Spiders) through 1973. Though post-’73 albums were released bearing the name Alice Cooper, those (with the exception of 1974’s Greatest
In 1968, the concept of a “supergroup” was still fresh; Lillian Roxon even wrote about it – and its possibilities – in her Rock Encyclopedia. Al Kooper devised what became Super Session as a collaboration between him and guitarist Mike Bloomfield, late of Paul Butterfield Blues Band and Electric Flag. When the notoriously unreliable Bloomfield
From a demographics perspective, I suppose I am the target market for releases such as these. How else to explain compilations that have no thematic or time-period cohesiveness? Legends Get it On and Legends Crank it Up have one common thread: they attempt to distill the salad days of the boomer generation into CD-sized chunks.
Some people — musicians, listeners, you name it — get their nose out of joint when writers apply labels to music. How dare we, the thinking goes. The music shouldn’t be shoehorned into some reviewer’s preconceived notion of stylistic categories. I’m guilty as charged of said pigeonholing, and I make no apologies. I see part
On the occasion of its 2014 reissue on Hybrid SACD, Alice Cooper’s Billion Dollar Babies is due for a critical second-look. Originally released in 1973, Billion Dollar Babies was Cooper’s sixth LP, and the second-to-last to feature the original band. Though by the time of Babies, ace session guitarists Steve Hunter and Dick Wagner were