richard x heyman Archive

Album Review: Richard X Heyman — Copious Notes

Richard X Heyman started making great solo records right out of the gate. Anyone who enjoys highly melodic rock with sterling pop values, hooks galore and just the right amount of oomph simply must own his first several albums. And they’d do well to purchase everything else he’s done, as the man displays impressive quality

Hundred-word Reviews for August 2019, Part One

It’s that time again: reviews of new music that passes the rigorous “smash or trash” competition happening periodically at my CD changer. Diplomats of Solid Sound — A Higher Place First off, let’s give credit where it’s due and acknowledge that Sharon Jones and the Dap-Kings are owed a debt for reintroducing soul to today’s

New Music Review Roundup, Part 2

Here’s the second of three collections of reviews. The Hangabouts – Kits & Cats and Saxon Wives Good-timing, cleverly-written melodic pop is what’s on offer on the latest album from the Hangabouts. It rocks a bit harder than their last outing, and there are hints of some of the more adventurous end of early 70s

X Marks the Spot: The 2013 Richard X Heyman Interview, Part Two

Continued from Part One Bill Kopp: You’ve long been one of those artists who can handle everything in the studio; other than Nancy engineering, most of your albums have featured you on nearly everything. But sometimes you’ve brought in other musicians. On X you’re back to playing and singing everything. What to you is the

X Marks the Spot: The 2013 Richard X Heyman Interview, Part One

Richard X Heyman is nominally a powerpop artist, but ever since his first solo album in 1988, there has been a lot more going on in his music than a slavish devotion to a certain subset of rock history. He’s long synthesized a wide swath of influences into his music, crating his own identifiable sound