peter holsapple Archive

The dB’s in Black and White (Part Four)

Continued from Part Three… The other three dB’s are even more direct on the matter. “I hate power pop,” says Gene Holder. “The dB’s were more experimental [than that]. Chris’s songs, especially, were always pretty odd, which was really cool.” Will Rigby agrees, noting that in his estimation, The dB’s had “a little more intellectual

The dB’s in Black and White (Part Three)

Continued from Part Two… By the time the quartet’s first single, “Black and White” b/w “Soul Kiss” was released in 1980, Rigby says that Stamey and Holsapple (who had moved to second guitar) “were on an equal basis in the band.” Gene Holder agrees, noting that there was never anything like a power struggle in

The dB’s in Black and White (Part Two)

Continued from Part One… A single credited to Chris Stamey and The dB’s featured an a-side (“(I Thought) You Wanted to Know”) played by Stamey with Television’s’ Richard Lloyd, who wrote the tune. “Chris wanted to have a band to promote that,” recalls Holder. Individually, he and Rigby had both recently moved from North Carolina

The dB’s in Black and White (Part One)

Four musicians from North Carolina came together in the 1970s as The dB’s. Perennial critics’ darlings, the group never hit the big time on the level of their friends, kindred spirits and fellow southerners R.E.M. But The dB’s influenced a generation of indie rockers who would follow in their wake, and they left behind an

30 Days Out, September 2021 #1: Deltaphonics, Avatar, Sylvan Esso, Connells

Things are back to normal, but it’s a new normal. Live music has indeed returned, but if you go, plan on wearing a mask, showing proof of vaccination or negative test, and exercising social distancing to the extent that it’s possible. Once you accept all that, there are some fascinating opportunities in the next 30

30 Days Out, August 2021 #2: Peter Holsapple, Jamie Laval, Pop Evil, Free Radio

Asheville is in the process of reasserting its place as a go-to market for intriguing, compelling musical artists. Full-scale national touring is gradually coming back, but for now – with some notable exceptions – regional and local acts tend to dominate the events calendars of our music venues. This edition of 30 Days Out takes

Album Review: Various Artists – Yesterday’s Tomorrow

If you’re at all familiar with the alternate and/or college rock scenes of the 1970s and ‘80s, you’ll know the names Mitch Easter (Let’s Active, producer of R.E.M.), Peter Holsapple (The dB’s, Continental Drifters), Chirs Stamey (The dB’s, work with Alex Chilton) and Don Dixon. This busman’s holiday of a sort is a document of

Album Review: Holsapple & Stamey — Our Back Pages

As wonderful as the dBs were during their original run (featuring Peter Holsapple with and then without Chris Stamey), the more acoustic-flavored efforts by Holsapple and Stamey – 1991’s Mavericks and 2009’s hERE aND nOW – were truly special as well. Decidedly different in tone and energy, but simply superb they were, even for a

Hundred-word Reviews, November 2018 Part 1

More hundred-word reviews. If you’ve wandered in here before, you know the drill: they’re all worthwhile and deserve deeper coverage. These ten are all archival, reissue or compilation releases. Oakland Elementary School Arkestra – The Saga of Padani Let’s begin by acknowledging that this disc isn’t for all tastes. Imagine the Residents meeting Sun Ra,

Hundred-word Reviews for August 2018, Part 2

Herewith are ten more 100-word reviews of recent new releases. As they used to say, “Collect ‘em all, kids!” Denny Seiwell Trio — Boomerang Rock fans of a certain age may recognize Seiwell’s name; he was (for a time) the drummer in a ‘70s British group called Wings. That background has nearly zero to do