o.r.k. Archive

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding […]

Colin Edwin: Progressive in Any Language (Part 2)

Continued from Part One… Add to that challenge the expansiveness of the North American continent; the major markets – New York, Chicago, Los Angeles – are much farther apart than, […]

Colin Edwin: Progressive in Any Language (Part 1)

Some years ago in a print feature, I characterized Colin Edwin – then the bass player in Porcupine Tree – as “eternally bemused.” The music of Porcupine Tree is adventurous, […]