jerry jemmott Archive
Continued from Part Four… Starting in 1978, Jemmott’s group, Souler Energy, played a mix of styles that showcased the range and versatility of its rotating cast of players. Jemmott also got into arranging, work for theater, and instruction. In addition to recording and releasing a trio of solo albums, Jemmott has produced a number of
Continued from Part Three… The studio gigs kept coming. “I was busy,” Jemmott says. “I was real busy.” But as much as he enjoyed his heavy session schedule, he was starting to burn out. “Duane [Allman] and I wanted to part ways with making records at one point,” he says. “In fact, I think it
Continued from Part Two… Jemmott knew how King’s music usually sounded, but he also knew why people booked him as a session bassist. “People usually call me to do something different,” he emphasizes. “So it was a matter of watching his hands. Whatever he did, I did something different. It was always that blues triplet
Continued from Part One… But now he had to learn to play the new instrument. “And it didn’t happen right away,” Jemmott says. “I had encountered it before, but the sound just turned me off. I said, ‘I will never play one of these things.’” But he felt that he had no choice. “I knew
Jerry Jemott is known as the Groovemaster. An in-demand session musician, he’s one of the most recorded bassists ever. Though his musical foundation is in jazz, he played on many of the greatest and most well-known singles and albums across a wide swath of genres. That’s him on Aretha’s “Think.” Jemmott plays bass on B.B.