arrested development Archive

30 Days Out, December 2021 #2: Drunken Prayer, Empire Strikes Brass, Andrew Scotchie and the River Rats, Arrested Development, Adam Ezra Group

This installment of “30 Days Out” marks two years since the twice-monthly bulletin has been published here on Musoscribe. Before that, starting in January 2014(!), 30DO was a twice-monthly feature of Mountain Xpress, the Asheville-based altweekly that (in those days) provided robust coverage of the local arts and music scenes. As we close the books

Arrested Development: The Speech Interview, Part Three

Continued from Part Two … For decades it’s been the case that American artists – especially the more interesting ones – tend to do better in Europe and Asia. The list of blues and jazz artists who had to go to Europe to be make a living is really long. Why do you think your

Arrested Development: The Speech Interview, Part Two

Continued from Part One … Arrested Development has found success beyond the hip-hop fan base in a way that other acts haven’t always done, and you’ve done it without compromising your approach. What do you think explains the group’s appeal to listeners who might not otherwise be all that interested in hip-hop? The music was

Arrested Development: The Speech Interview, Part One

If you turned on your radio or tuned into MTV in 1992, you were familiar with Arrested Development. The Atlanta-based group did something that was quite unique for its time; standing in stark contrast to the gangsta rap of the era, Arrested Development made conscious, melodic hip-hop. For its trouble, the group scored early and

Arrested Development: Creating Their Own Lane

Hailed as creators of a new musical genre, Arrested Development scored a worldwide blockbuster hit with their 1992 debut album. The group’s unique take on hip-hop influenced an entire generation of artists, and by 2000 Arrested Development was making music on its own terms, operating largely outside the machinery of the music industry. The group