anton barbeau Archive
Time was, Jordan Oakes reigned as the tastemaker supreme in the powerpop world. His Yellow Pills compilation series shone a light on the very best that the genre had to offer. And the four volumes in the series – all quite expensive today if you can even find them (you can’t have mine) – hammered
If Todd Rundgren were a bit younger and a dash more underground/indie-inclined, he might resemble Anton Barbeau. Among other similarities, Ant shares with Todd a predilection for going his own way – bouncing effortlessly between styles, resolutely defying easy pigeonholing – and for making music that is at once accessible and requiring of active participation
Time for some more quick reviews. All good stuff, all worthy of deeper coverage. And all worth your time if you’re in the mood for some new sounds. Previte / Saft / Cline – Music from the Early 21st Century Bobby Previte is a drummer whose work falls into the avant garde/no wave box. Nels
Today’s Christmas. Whether you observe the religious traditions of the holiday or not, Quit reading this and go spend time with loved ones! Okay, before you go, a very brief post. There were some great albums released this year as well. Some of my favorites include: Watermelon Slim – Church of the Blues Luther Russell
With the end of 2019 on the horizon, I figure now’s as good a time as any to bring things up to date with another batch of quick reviews. In this edition: all new music, ten titles. Blues, powerpop, jazz and more. All worth your time. Maybe even a Great Gift Idea™. Happy holidays! Coco
I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off
Now and then I receive an EP or even a single for potential review. In general those don’t make the cut, as I prefer to write about full-length albums that provide a fuller picture of an artist’s work. But when a short-form release rises to the level of something special, I’m happy to cover it.
File next to: Sloan, Matthew Sweet Based in the redwoods of Northern California, Allen Clapp‘s Mystery Lawn Music has in recent years become a trademark of pop music quality. Originally formed as a vehicle to self-release 20/20 – perhaps the best album by his group the Orange Peels – Clapp’s label has become a collective
File next to: Anton Barbeau, Corner Laughers Pop music has long featured engaging artists who don’t write their own material. Going back to perhaps the greatest of them all, Frank Sinatra never wrote a song in his life. Linda Ronstadt‘s long and successful career was built in large part upon her canny choice of material.
Often swimming in the quirkier end of the power pop pool, the prolific Anton Barbeau most recently made a pair of albums fronting Three Minute Tease; there he applied his own personal spin to the music, bending the sound made by Robyn Hitchcock‘s former band mates (Andy Metcalfe, Morris Windsor) toward his own unique aesthetic.