anton barbeau Archive

Album Review: Anton Barbeau — Oh The Joys We Live For

Over the course of his career, Anton Barbeau has confounded those who would pigeonhole him. But there is a consistency of creative vision that connects his varied works. Whether as a solo artist or with a band, his music expresses his unique, singular (and sometimes idiosyncratic) musical worldview and perspective. His latest release, Oh the

Album Reviews: Big Stir Singles — The Seventh and Eighth Waves

Time was, Jordan Oakes reigned as the tastemaker supreme in the powerpop world. His Yellow Pills compilation series shone a light on the very best that the genre had to offer. And the four volumes in the series – all quite expensive today if you can even find them (you can’t have mine) – hammered

Album Review: Anton Barbeau — Manbird

If Todd Rundgren were a bit younger and a dash more underground/indie-inclined, he might resemble Anton Barbeau. Among other similarities, Ant shares with Todd a predilection for going his own way – bouncing effortlessly between styles, resolutely defying easy pigeonholing – and for making music that is at once accessible and requiring of active participation

Hundred Word Reviews for February 2020

Time for some more quick reviews. All good stuff, all worthy of deeper coverage. And all worth your time if you’re in the mood for some new sounds. Previte / Saft / Cline – Music from the Early 21st Century Bobby Previte is a drummer whose work falls into the avant garde/no wave box. Nels

Musoscribe’s Best of 2019: New Music

Today’s Christmas. Whether you observe the religious traditions of the holiday or not, Quit reading this and go spend time with loved ones! Okay, before you go, a very brief post. There were some great albums released this year as well. Some of my favorites include: Watermelon Slim – Church of the Blues Luther Russell

Hundred-word Reviews for December 2019, #2

With the end of 2019 on the horizon, I figure now’s as good a time as any to bring things up to date with another batch of quick reviews. In this edition: all new music, ten titles. Blues, powerpop, jazz and more. All worth your time. Maybe even a Great Gift Idea™. Happy holidays! Coco

Even More Hundred-worders for May 2019

I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off

Saturday Bonus Post: Short-form Roundup

Now and then I receive an EP or even a single for potential review. In general those don’t make the cut, as I prefer to write about full-length albums that provide a fuller picture of an artist’s work. But when a short-form release rises to the level of something special, I’m happy to cover it.

Album Mini-review: Various Artists — Friends and Frenemies

File next to: Sloan, Matthew Sweet Based in the redwoods of Northern California, Allen Clapp‘s Mystery Lawn Music has in recent years become a trademark of pop music quality. Originally formed as a vehicle to self-release 20/20 – perhaps the best album by his group the Orange Peels – Clapp’s label has become a collective

Album Mini-review: Allyson Seconds — Little World

File next to: Anton Barbeau, Corner Laughers Pop music has long featured engaging artists who don’t write their own material. Going back to perhaps the greatest of them all, Frank Sinatra never wrote a song in his life. Linda Ronstadt‘s long and successful career was built in large part upon her canny choice of material.