File next to: The Heavy, The New Mastersounds, Sharon Jones & the Dap-Kings This NYC-based trio describes its music as “power soul,” and for once a genre label is dead-on describing an artist. Rich Derbyshire‘s kinetic basslines, taut and assured drumming from Mateo Vosganian and aggressive, wah-wah-laden guitar lines support Travis Gray‘s assured vocals on
Some recent vinyl releases are more than noteworthy. Herewith are looks at five of ’em. I’m pretty certain all are limited-edition pressings, so get them while they’re hot. Kenny Clarke et. al. – Bohemia After Dark Nominally a session led by drummer Kenny Clarke, this 1955 album is of great historical import as the recorded
And now for some jazz reviews. Brian Bromberg – Full Circle Bromberg has recorded at least 12 albums prior to Full Circle. The disc opens with a rare archival recording made some 65 years ago; it features his drummer father with a trumpeter and trombonist. Bromberg has added his bass to the recording; it’s delightful.
Here we go with another baker’s two-dozen (okay, 25) capsule reviews. Five a day, all work-week long. Today it’s (more or less) blues. Zuzu Welsh Band – Fault Line Good timin’ meat-and-potatoes blues rock is served up by this Asheville NC-based quintet. Tasty electric slide guitar is the centerpiece on some tracks, and the songs
One of music’s greatest guitarists, Larry Coryell has enjoyed – and continues to enjoy – a long and storied career. After his professional start playing with Chico Hamilton, Coryell launched a solo career, enlisting the musical help of some of the most innovative, boundary-pushing musicians to aid in his own musical explorations. He’s played in
The band Dengue Fever has been together for about twelve years; prior to their latest album, they’ve released six full-lenth albums (including a film soundtrack) and three EPs. But somehow I’ve missed them until now. My only prior exposure to the group was via their curating a 2010 compilation called Dengue Fever Presents Electric Cambodia.
Five new releases are the focus of this clutch of hundred-word reviews. Analog Son – Analog Son The name might conjure mental visions of a synthesizer outfit, but the sounds that this duo-plus-friends (guitarist Jordan Linit and Josh Fairman on bass) produces is some fresh and uptempo funk. Seven of the ten tracks are instrumentals
I’m bound and determined to reduce the contents of my in-box to manageable levels, so this week I’ll be covering 25 albums, each adhering to a 100-word limit. Don’t mistake brevity for a negative review; these are all worthwhile releases. Today’s five – all new music – are all within the (very loosely defined) jazz
Soul jazz is alive and well. With a sound that updates Wes Montgomery‘s fluid lines and combines that style with a head-nodding groove that will be familiar to fans of boogaloo revivalists such as The New Mastersounds and Soulive, Keys is in fact the real deal. Having cut his teeth as an able sideman to
If, like some of my readers, you’re primarily interested in reading my interviews, features and conversations, then you may find the list below useful. It’s a complete (updated when I remember) index of all my published interviews. Right now there are just under 900 here. 1964 The Tribute / Mark Benson 50 Shades! The Musical