soundtrack Archive

Screen Classic ‘The Goddess’ Gets a Min Xiao-Fen Score

In 1934, writer-director Wu Yonggang’s silent film Shénnǚ (The Goddess) was released in China. Critically praised and popular among audiences, it was and remains an exemplar of China’s cinematic golden age. Exploring and building upon the beauty of the film, Asheville-based musician-composer Min Xiao-Fen has released White Lotus, an original score for The Goddess. Years

Album Review: The Whit Boyd Combo — Party Girls OST

Admittedly, it requires a certain kind of sense of humor to appreciate such a thing, but as fate would have it, I’m just such a person. So as out-there as the context might be, I now count myself as a fan of what has been (somewhat arbitrarily) dubbed the Whit Boyd Combo. As the liner

Album Review: The Rocky Horror Picture Show (soundtrack)

Even though today I’m (cough, cough) middle-aged, when The Rocky Horror Picture Show first came out, I was too young to appreciate it. In fact, as an 11-year-old, I was too young to have appreciated it, even if my parents had allowed me exposure to the film (and they would not have done). But its

Crime and Spy Jazz on Screen: A Conversation with Derrick Bang (Part 2)

Continued from Part One … Bill Kopp: I think it’s interesting the number of times in the books when you end discussion of a given film and its music from, say, the ‘70s by saying, “A soundtrack finally appeared in 2006,” or something. It only came out many many years after you’d think that even

Crime and Spy Jazz on Screen: A Conversation with Derrick Bang (Part 1)

One of the many benefits of being a music journalist is that I come into contact with all manner of creative types. So it was that my friend Cheryl Pawelski of Omnivore Recordings introduced me to Derrick Bang. A film critic and author, Bang has written a two-volume work that digs deep into a subject

Album Review: ‘Rolling Stone: Life and Death of Brian Jones’ Soundtrack

There are at least three categories of film soundtrack albums. One is a collection of songs, scores, cues and the like, often by a single composer/artist, music created expressly for a film or television show. Another is what my esteemed colleague Derrick Bang (author of the new two-volume book series on Crime and Spy Jazz)

Album Review: Miles Davis – Music From and Inspired by ‘Birth of the Cool’

There’s a trend in recent years: when releasing a film’s companion audio, the CD is sometimes branded as “Music From and Inspired By…” That gives to compiler of the audio document a freer hand to include material that is conceptually relevant even if it didn’t feature in the film itself. Such releases can’t strictly be

Album Review: Marvin Gaye — More Trouble

I’ve read critical essays that characterize Marvin Gaye’s Trouble Man as part of a triptych of albums, one of three soundtrack albums for ‘70s “blaxpliotation” films. Yet against the backdrop of Isaac Hayes’ Shaft and Curtis Mayfield’s Super Fly, Gaye’s 1972 album is little known and less remembered. Part of the reason for that may

A Look Back at Pink Floyd’s ‘More’ Soundtrack (Part 2)

Continued from Part One… A very brief instrumental, the unimaginatively named “Party Sequence” features Nick Mason on several overdubbed bongo drums, with wife Lindy trilling along on penny whistle. Side Two of the original More album opens in grand fashion with “Main Theme.” The gong would become an integral component of Pink Floyd’s live set

A Look Back at Pink Floyd’s ‘More’ Soundtrack (Part 1)

As 1969 began, decisive changes were underway for Pink Floyd. After making two albums and a number of singles with Norman Smith in the control room, Pink Floyd began to move toward self-producing. And having had successful experiences – at least from a creative standpoint – working on film soundtracks, the band decided to plunge