post-rock Archive

Hundred-word Reviews for May 2022, Part 1

It’s time for some more hundred-word reviews. These quick capsule reviews get to the point quickly, and readers should note that all come recommended. Don’t be misled by the lack of a longer treatment of these releases; all are worth your time. Amoeba Teen – Amoeba Teen This band’s 2018 compilation Selection Box Vol. 1

Hundred-word Reviews for April 2022, Part 2

Picking up where I left off yesterday, here are five more brief capsule reviews of new albums. This is a remarkably eclectic assortment. Speedfossil – No Anesthesia If you like your rock tuneful, forceful and intelligent, focus your attention on this album, from a New England quartet called Speedfossil. The tunes are strong and memorable,

AUDIO: A Conversation with Tony Levin of Stick Men

For more than a decade now, Musoscribe has been home to my interviews, features, reviews and essays, all in print form. Going forward, I’ll be expanding into audio and possibly even video content. As a little taste of that — and because it’s really worthwhile on its own merits — here’s audio of a conversation

Album Review – Gerald Gradwohl Group — Episode 6

What might it sound like if Metallica was influenced by Allan Holdsworth? The answer might just be Episode 6, the new album by the Gerald Grawhol Group. But then Metallica have not (to my knowledge) worked saxophone into their sound. This Austrian four-piece led by guitarist Gradwohl does feature tenor sax right alongside bass and

The Solitary Sounds of Snake

An edited version of this feature appeared previously in SF Weekly. For Snake – also known as Oakland musician Nic Barbeln – spontaneity is a key ingredient in the process of making music. Released in late January, the latest Snake album, Wind, captures that character in its twelve dense, moody tracks. “Things just come out

Not Your Father’s Terry Gross: Post-rock Trio Gears Up for a ‘Soft Opening’

Some of the most innovative and creative recording artists — Jimi Hendrix, Miles Davis and Brian Wilson chief among them — have used the recording studio as an instrument. But in the case of Bay Area band Terry Gross, the studio can be said to have created the band. Multi-instrumentalist Phil Manley is a member

Nest Egg: Straight-ahead Yet Twisting

A global pandemic may have temporarily taken live music off the stage, but creative endeavors continue apace. Right on the heels of a live set released in March, Nest Egg will release Dislocation, its seventh album, on July 10. The primarily instrumental Asheville-based group draws a good part of its inspiration from German music of

Hundred-word Reviews for January 2020

Every so often – pretty often, in fact – I find a stack of CDs has accumulated on my desk. They’ve made the cut as albums deemed worthy of sharing with my readers. In the space of just one hundred words, I endeavor to convey what’s noteworthy or even special about these releases. Each of

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 2)

Continued from Part One … Fans of King Crimson’s Red receive a wonderful treat with “Breathless.” Though the specific players on each track aren’t noted, the song – very much a cousin to Red‘s title track – features a very progressive Narada Michael Walden on the drum kit, and Tony Levin (of future Crimsons) on

The Drive to 1981 Begins: A Look Back at Robert Fripp’s Masterful ‘Exposure’ (Part 1)

Guitarist Robert Fripp has long been one of music’s most intriguing figures. Largely operating outside the pop mainstream (and, when he can, outside the traditional machinery of the music business itself), Fripp is that unique artist who expects certain things from his audience. He believes – and operates according to a belief – in the