One never quite knows what to expect from The Orange Peels, and within that uncertainty lies a part of the group’s charm. They certainly don’t fit neatly into any particular musical subcategory, be it power pop, art rock or anything else, but hints of those styles make themselves known within the context of individual songs.
Americana that’s more than twang. Classic camp. A blues legend. Retro-pop. Those are four of the highlights on the Asheville music calendar these coming 30 days. Artist: Jimbo Mathus Venue: The Grey Eagle (patio) Date: Friday, Oct. 8, 6 p.m. Door: $15 If you only know Jimbo Mathus from his role as leader of Squirrel
The Mommyheads aren’t widely known outside of New York City (and Sweden), and that’s a shame. With wit that sometimes rivals that of XTC, a melodic sense that recalls 10cc and a prolific nature (more than a dozen albums released, even while taking a decade-long hiatus), The Mommyheads are one of pop music’s undiscovered gems.
The third album from psych-pop outfit Sandy’s, Magic Mind has a shimmering, multilayered character that may evoke thoughts of Yoshimi Battles the Pink Robots-era Flaming Lips, early Crowded House and even Pet Sounds. Yet it sounds like none of those things; the third album from the Bay Area group is a fully-realized work that showcases
Lots of cool choices for live music in and around Asheville in the coming thirty days. By now, you know the drill: Most venues are requiring proof of vaccination or results of a legit test within 72 hours prior to entrance. These venues want to stay in business, and they want their patrons to stay
Continued from Part Four… As if She Trinity’s lineup changes weren’t confusing enough, the group went by at least two other names. Yorke doesn’t recall exactly why the band went for a time by the name of British Maid, but she knows that they used the name during a tour of France. “We played all
Continued from Part Three… The band had parted ways with Mickie Most by the time Thompson joined. Working with American producer Steve Rowland, She Trinity recorded a single in a West End studio with the saxophonist. The CBS single featured a cover of Gene Pitney’s “Across the Street” backed by “Over and Over Again.” It’s
Continued from Part Two… Shelley Gillespie’s main instrument was a Fender Telecaster. “I also had a Vox 12-string for a brief moment, and an acoustic Guild dreadnought,” she recalls. The group’s selection of material reflected the varying tastes – and abilities – within the group. “Robyn liked to tell people that she was once told
Continued from Part One… “We always used to wear mens’ Beatle boots, bell-bottom jeans, black turtlenecks with a great big ‘M’ in plaid in the middle, waistcoats and Beatle hats,” Carola Daish recalls. “That was our normal outfit, because – at first – we didn’t want to draw attention to ourselves, that we were girls.
It’s possible to be a groundbreaking musical act, to pave the way for future artists all while gaining little fame and fortune yourselves. That’s the case with She Trinity, a remarkable all-woman band of the middle- and late ‘60s. They played their own instruments and worked with a high-profile producer, but the group never broke