new wave Archive

A Conversation with Laura Davis-Chanin, Author of ‘The Girl in the Back’ (Part One)

Laura Davis-Chanin is in a unique position to write a personal chronicle of the late ‘70s and early ‘80s New York rock scene. As the drummer in the Student Teachers, she experienced firsthand the scene happening in places like CBGB’s, Max’s Kansas City. She got to know many of the main players in that scene.

200-word Reviews: Five Vinyl Records

Few people are mas pleased as myself to witness (up close and personal) the vinyl revival. I’m not getting into the warmth-versus-digital argument; all I know is that as an old-school type who began purchasing LPs at age eight, I will always prefer the vinyl LP format. Plus, the artwork and liner notes are better

Single Review: Les Techno – “Guilty Pleasure”

NYC post-punk artist Les Techno aims for a dance pop vibe on “Guilty Pleasure.” Don’t be scared off by that description. There’s a gritty feel to the song that places it in a kind of male-version-of-Blondie category. Nicely treated guitars and stuttering percussion has a vaguely late ‘70s feel, miles away form what passes for

A Vinyl Roundup to Round Out 2018

So much good music has found its way into my ears in 2018. As the year winds toward its close, I’d like to share words on a few of these with you. All titles noted below are on vinyl (LP or 7′ 45 RPM single). Wes Hollywood – Dynamite It was more than six and

A Look Back at the Tubes’ ‘Remote Control’

The Tubes were among the most outrageous of 1970s rock groups. With an impressively muscular and underrated instrumental foundation, the group – or at least lead singer Fee Waybill – acted out the band’s bizarre tunes live onstage. Songs like “White Punks on Dope,” “Don’t Touch Me There” and “Mondo Bondage” were clever to begin

Josh Rouse is Totally ’80s (For Now) — Part 2

Continued from Part One… How important is it to you to not do the same thing over and over? Is that driven by your own creative restlessness, or a kind of obligation to your fans? It’s weird; it’s hard to get a balance. I mean, I love to do new things; I even sang in

Josh Rouse is Totally ’80s (For Now) — Part 1

One never quite knows what to expect from Josh Rouse. The nomadic, Nebraska-born singer-songwriter’s first few albums introduced a musician whose contemplative, sometimes moody songs compared favorably to work by introspective artists like Neil Finn and Pete Yorn. By the time of 2002’s Under Cold Blue Stars, Rouse was adding subtle jazzy and modern electronic

Album Reviews: Cocteau Twins’ ‘Head Over Heels’ and ‘Treasure’

Not to be confused with Thompson Twins, Cocteau Twins were a dream-pop band form Scotland. Between 1982 and 1996 the group released nine albums of original music, including a 1996 collaborative disc with sometime Brian Eno associate Harold Budd. Cocteau Twins’ sound was a distinctive, gauzy melange that often sounded as if it had been

Album Review: Gary Numan – Dance

Casual listeners’ knowledge of Gary Numan’s body of work often doesn’t extend his hit single “Cars,” a track from his 1979 solo debut The Pleasure Principle. And that’s unfortunate, because Numan’s work has been consistently fascinating. He has released 20 solo albums to date (including two collaborative releases) and his most recent, 2017’s Savage (Songs

Pylon Reenactment Society: Living Musical History

Pylon might not have achieved the fame and notoriety of fellow Athens-based bands like R.E.M. and the B-52’s, but the funky new wave group was a beloved part of the college town’s arts and music scene. After its initial run (1978-83), the band would reunite for awhile at the end of the decade, and then