Until very recently, Tamar Berk was one of those artists with whom I was only vaguely familiar. Her name has been bandied about by those whose tastes I admire and respect, but beyond seeing her image in onscreen previews of those Facebook “reels,” I had somehow never managed to hear any of her music. I
The Mommyheads released their debut album Acorn in 1989. A wholebuncha albums followed; the prolific Brooklyn-based group would release four more albums before going inactive in the late ‘90s. When they returned around 2008, their reissues and new albums created a large catalog. These days the band seems to alternate between new and archival reissues,
Asheville draws an eclectic assortment of artists to the region, and the highlights among performances scheduled for the next 30 days is no exception. Event: Mountain Skies Electronic Music Festival Venue: White Horse Black Mountain Date: Fri.-Sun, May 6-8 Door: $25 Okay, so there isn’t a great deal of advance information available about this event.
When two formidable talents get together, one doesn’t know quite what to expect. Auteurs who are accustomed to having things their own way — and who have long since earned the right to do so – can’t automatically be expected to play well with others in a collaborative venture. The product of that creative alliance
It’s worth noting that Atlanta and Athens, Georgia are a mere 70 miles apart. I mention this because back in the 1980s when I lived in the suburbs of Atlanta (I was ultimately in the metro area for some 27 years) and followed the local music scene, it was a common mistake to think of
A new record from The Bye Bye Blackbirds is always welcome. Songwriter and guitarist Bradley Skaught is a songwriter who bends classic songwriting structure to his personal needs. Even though it has a title that sounds like something Robert Pollard might come up with, August Lightning Complex is another winning set of songs in a
One of the appealing qualities of what we might call 1970s FM rock was its ecelcdticism. Artists could borrow freely from country, blues, even soul or jazz and fold those characteristics into their sound. And they could still call it rock, as opposed to country-rock or some other hyphenate. Calling Cadence isn’t a ‘70s act.
Picking up where I left off yesterday, here are five more brief capsule reviews of new albums. This is a remarkably eclectic assortment. Speedfossil – No Anesthesia If you like your rock tuneful, forceful and intelligent, focus your attention on this album, from a New England quartet called Speedfossil. The tunes are strong and memorable,
Steel-pan jazz, classic singer-songwriter, visionary funk/jam/beyond, and real rock ‘n’ roll. Those are merely the highlights of what’s featured in and around Asheville live-music-wise in the next 30 days. Artist: Jonathan Scales Fourchestra Venue: Asheville Music Hall Date: Thursday, April 21, 9 p.m. Door: $15 Scales is one of the most unque and visionary musical
Chatham Rabbits is the wife-and-husband duo of Sarah and Austin McCombie. Sarah came up in music as a member of old-time group The South Carolina Broadcasters, and Austin has played everything from “today’s modern country” to beach music to electronica. But together as Chatham Rabbits, the couple makes rootsy music with the flavor of their