indie Archive

Thirty Years with the Mother Hips (Part Two)

Continued from Part One … Tim Bluhm concedes that the Mother Hips fan base isn’t as large as the following of some other groups, but he believes that their followers’ loyalty more than makes up for their numbers. “They’re very dedicated to what we do,” he says. But that doesn’t mean that they accept everything

Thirty Years with the Mother Hips (Part One)

Popular West Coast Band reissues its entire studio catalog, on vinyl for the first time Some artists have made a successful career out of establishing a signature sound and then sticking with it over the course of their entire catalog. Other artists take a potentially riskier approach, following their muse wherever it takes them. The

30 Days Out, August 2021 #2: Peter Holsapple, Jamie Laval, Pop Evil, Free Radio

Asheville is in the process of reasserting its place as a go-to market for intriguing, compelling musical artists. Full-scale national touring is gradually coming back, but for now – with some notable exceptions – regional and local acts tend to dominate the events calendars of our music venues. This edition of 30 Days Out takes

30 Days Out, July 2021 #1: Black Joe Lewis, Women of Synthpop, Japanese Breakfast, Songwriters in the Round

Touring artists are getting back into the swing of things. That means that this roundup of live music in Asheville features two national acts. The other two spotlighted shows each present three local artists. A nice mix here of singer-songwriter, electronica, blues and modern pop. And though Ididn’t plain it this way, of the eight

Home is Where the Synths Are: Sunset Lines Reinvents, Again

From arena-hopping festival headliners to the local garage band, COVID-19 forced musicians of all stripes to rethink, reorganize, and regroup. Fortunately for Liz Brooks and Paul McCorkle, the core duo behind Bay Area synth-pop project Sunset Lines, by the time the pandemic shuttered venues across the country they were already accustomed to starting over. The

30 Days Out, June 2021 #1: The Broadcast, Firecracker Jazz Band, Sang Sara, Floyd Philharmonic

Unless something changes drastically – and here’s hoping it doesn’t – this sentence will be the last within a “30 Days Out” to mention the pandemic and its effect on live music. With that out of the way, here’s a quick rundown of four shows in and around Asheville NC in the coming 30 days.

The Reds, Pinks and Purples’ Listener-friendly Depresso Pop

Glenn Donaldson is prolific. Maybe not quite Robert Pollard or R. Stevie Moore prolific, but the man records and releases a lot of music. The Skygreen Leopards, his psych-folk collaboration with fellow multi-instrumentalist Donovan Quinn, put out seven albums in eight years, plus another in 2014. Another duo, The Art Museums, featured Donaldson working with

Album Review: The Mommyheads — Coming Into Beauty

If you’re not familiar with the Mommyheads, try this: imagine a cross between the quirky intelligence of They Might Be Giants, the sophisticated use of studio-as-instrument of Talking Heads, and the enduring pop sensibility of Todd Rundgren (more on that last bit presently). The Brooklyn band was active from the tail-end of the 1980s through

Album Review: Snowglobe — Our Land Brains

The groups associated with the Athens, Georgia-based Elephant 6 Collective are a mixed bag. While all share a certain musical sensibility, Neutral Milk Hotel and Of Montreal each appeal to a slightly different subset of listeners than does Olivia Tremor Control (my personal favorite). And what is and is not an Elephant 6 band is

WWNBB: An Italian-American Confederation to Combat Boring Music

The global pandemic hasn’t stunted the creativity and output of indie musicians. Far from it: especially when it comes to DIY-leaning artists who create and record their original music at hone instead of in recording studios, this period of confinement has often yielded a bumper crop of new material. And one locus of musical activity