incredibly strange Archive

The Residents: The Eyes Have It (Part Two)

Continued from Part One… That meeting in late 2020 was the first time Tanner and Flynn had met, but the groundwork for the project was already laid. “Since we started this project one month before the pandemic hit, it took a lot longer than we were initially hoping,” Tanner says. “I opted to wait nearly

The Residents: The Eyes Have It (Part One)

Inscrutable art/music collective celebrates its 50th anniversary with the first in a series of books chronicling its history Surveying the landscape of 20th and 21st century music, one is unlikely to encounter anything stranger than the body of work credited to The Residents. The intentionally anonymous collective has been charting its own path – in

30 Days Out, October 2021 #2: Scott Miller, JackTown Ramblers, Land of the Sky Symphonic Band, GWAR

The eclectic nature that was a defining characteristic of Asheville’s live music scene is returning in these safer-than-recent-months times. Over the next 30 day, you have opportunities to enjoy music that combines things you might not expect: country rock (okay, that one’s a bit obvious but this guy is special), scum rock (stay with me

A Conversation with The Residents’ Spokesman Homer Flynn (Part 2 of 2)

Continued from Part One… Bill Kopp: The Residents’ Ralph Records was launched in ’72, and the label always existed well outside of what could be considered the ‘commercial sphere.’ In some ways, that almost made its existence sort of counterintuitive. Was there ever a point at which the label was financially remunerative, and was that

A Conversation with The Residents’ Spokesman Homer Flynn (Part 1 of 2)

I recently interviewed Homer Flynn of The Cryptic Corporation, discussing the Residents, the anonymous avant garde group of which Flynn may or may not be a founding member. The conversation – a kind of followup to my 2006(!) interview of Hardy Fox – formed the basis of my feature for SF Weekly. But a great

Permanent Residents: SF’s Notorious Avant Garde Collective Looks to the Future

Few in the early 1970s might have predicted that one of music’s strangest (and most original) acts would continue to tour and release new music well into the 21st century. But San Francisco-based avant garde collective The Residents have always confounded expectations. Though the group’s history is by design murky and mysterious, it’s generally accepted

Album Review: D-Town Brass — Demiurge

Much of what passes for avant garde music tends toward a kind of seriousness, a dour approach that screams, “this is art!” and all but insists that the listeners revel in its importance. Accessibility rarely figures into the mix, and that’s the point, kind of. But there are exceptions. The work of Sun Ra certainly

Bonus Interview: Kevin Godley on ‘Consequences’ and the Gizmotron

I recently spoke with Kevin Godley (10cc, Godley & Creme) about his new solo album – his first, in fact – titled Muscle Memory. But during our chat I also managed to bring up the subject of Consequences, the bizarre boxed set 3LP album that marked the debut of Godley & Creme in 1977. That

Album Review: Mrs. Miller – A Christmas Gift From Mrs. Miller & Other Stocking Stuffers

In the history of pop music, there are few tales stranger – and more inexplicable – than that of Elva Miller. In this postmodern era, the idea of so-bad-it’s-good has long since taken hold, so films like Plan Nine From Outer Space are looked upon as bent classics of a sort. And on the music

Lord Sutch and Heavy Friends at 50

Scattered among the history of pop and rock music are the occasional oddities: albums made by those whose circumstances or talents in a particular area might not quite have suited them for the task of making an album, but who still somehow managed to do so. French millionaire playboy Philippe DeBarge did so in the