garage Archive

Album Mini-review: Doug Tuttle — It Calls On Me

File next to: Tame Impala, Plasticland, Starling Electric On his self-titled 2014 debut, Doug Tuttle staked out his musical territory: a shimmering, woozy, yet highly tuneful 21st century take on the gentler side of mid 1960s psychedelic rock. Deftly sidestepping overtly retro production flourishes yet knowingly nailing the era’s vibe, he sounded like a slightly

Album Mini-review: Homme — Homme

File Next to: KT Tunstall, The Roches, Radiohead With electric guitars (run through a Leslie speaker cabinet and other assorted effects) and close yet vocal-acrobatic harmonies, the experimental yet inviting sonic approach of this Chicago duo suggests an otherworldly combination of Nirvana and The Roches. Just when you think they’re going to be some kind

Album Mini-review: The Roaring 420s – You Can’t Get Out Alive

File next to: Elephant Stone, Allah-Las, Fuzztones For The Roaring 420s, everything old is new again. Across the twelve songs on *You Can’t Get Out Alive – their second full-length – this Dresden, Germany based quintet crafts original songs that bear more than a whiff (or a toke if you like) of late 1960s psychedelia.

Album Review: Ty Segall — Ty Rex

Modern-day garage rock hero Ty Segall has never been bashful about showing his roots. Listening to both his original material and his musical contributions to others’ work (most notably Mikal Cronin), it’s quite easy to connect the dots: there’s a clear progression from teenage 1960s garage rock groups to The Stooges to Lenny Kaye‘s Nuggets

Album Mini-review: Motobunny — Motobunny

File next to: The Bangles, Amboy Dukes, Joan Jett It’s quite a tightrope walk to create music that rocks hard – really hard – yet maintains a strong, hooky, singalong kind of vibe. Motobunny manages it; fronted by two women and with a three-man backline, the group combines the sneering energy of Detroit rock (Stooges,

November 100-word Reviews, Part 5

My current crop of hundred-word reviews wraps up with some odds and ends, all worth a listen. I generally don’t review from MP3 files, but in a few cases I make exceptions. Three of those are here. Fischer’s Flicker – Fornever and Never Scott Fischer operates under this nom de pop to make his uptempo,

DVD Review: Escala Musical TV 1966-67

I took three years of Spanish in high school – seemingly a thousand years ago, more like thirty – and to this day I can correctly pronounce the items on a Mexican restaurant menu and/or say things that will get my face slapped (though hopefully not at the same time). That’s about my skill level.

The Chocolate Watchband: Give the People What They Want (Part 2)

Continued from Part One… Chocolate Watchband guitarist Tim Abbott believes that these new versions of the band’s old songs are an “opportunity for us to rewrite history, to make it right.” Because any way you slice it, Richard Polodor‘s “Expo 2000” which leads off the new disc, is a pretty ace psychedelic instrumental, well worth

The Chocolate Watchband: Give the People What They Want (Part 1)

Among aficionados of 1960s garage and psychedelic music, The Chocolate Watchband is dearly loved. Though the band’s history is – even by the standards of that era – a mightily convoluted one, the band (and its ersatz versions; more on that subject shortly) left behind some durable music that captures the 1960s zeitgeist. In many

Album Mini-review: Wizzz! French Psychedelic 1966-1969 Volume 1

File Next to: Nuggets II: British Empire and Beyond, Roman Coppola’s CQ Soundtrack France has long been notorious for its musical insularity. Listen to a bootleg of the Beatles‘ February 1964 show – the height of worldwide Beatlemania – and you can hear the group just fine; the Parisians merely clap. And they simply couldn’t