Americana that’s more than twang. Classic camp. A blues legend. Retro-pop. Those are four of the highlights on the Asheville music calendar these coming 30 days. Artist: Jimbo Mathus Venue: The Grey Eagle (patio) Date: Friday, Oct. 8, 6 p.m. Door: $15 If you only know Jimbo Mathus from his role as leader of Squirrel
Comedy albums are unique in the album world. Unlike music, for most listeners, they’re a one-and-done affair. You may well have bought Robin Williams’ Reality: What a Concept when it was released in 1979, but if you’re like me, you listened, enjoyed, and then moved on, rarely taking it off the shelf for another spin.
Even though today I’m (cough, cough) middle-aged, when The Rocky Horror Picture Show first came out, I was too young to appreciate it. In fact, as an 11-year-old, I was too young to have appreciated it, even if my parents had allowed me exposure to the film (and they would not have done). But its
Years ago while watching some or other “madcap” comedy film, I came to a realization: drama is comparatively easy, but comedy is difficult. It’s a fairly straightforward affair to tug at a viewer’s heartstrings; it’s quite another matter entirely to make them laugh. The same is true in music; writing a weepy ballad –not to
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Americans of a certain age will remember the phenomenon of the prank phone call. In the pre-cell phone era, everyone had either a landline or no phone at all, and unless one paid extra to the phone company (and in those days there was only one phone company), your number was published in a thick
Legendary keyboardist Rick Wakeman is perhaps best known for his work with Yes, a group he has joined and quit at least five times since the early ’90s. But the classically-trained musician also has a staggeringly large catalog of solo albums. Beginning with his debut release (1973’s The Six Wives of Henry VIII) and continuing
Improvisation is performance without a net: there’s no script and no direction. The actors onstage succeed or fail on the strength of their quick wit and ability to work together. And when improvisation works, it showcases creativity in its rawest, most spontaneous form. With a goal of getting Asheville on the map as a destination
From the perspective of crate-diggers – amateur and professional music archivists alike – one of the great benefits of the digital age has been the rescuing of obscure recordings. Against the backdrop of the recently revealed 2008 Universal fire in which countless audio masters were lost, it’s some comfort to discover that the catalog of
Continued from Part One … My first exposure to Kovacs was the PBS retrospective series, which I guess was in the late ’70s. Yeah. This record came out in ’76. It was nominated for a Grammy in ‘77 for Comedy Album of the Year. And then, the same year, ‘77, PBS showed The Best of