Album Review: Donovan’s Brain — Fire Printing

I’ve covered more releases than I can easily count by Donovan’s Brain. (Okay, I counted, and it’s at least four. Math’s not my strong suit.) And there’s a reason for that: the rock-pop collective is a reliable source of engaging, intriguing and just plain tuneful rock. So when a new album from that outfit arrives on my desk, I enthusiastically give it a listen.

And here they are again, with Fire Printing. When I pop the CD into my PC-connected player, the artists registers as Appearing as Donovan’s Brain. Why, I cannot tell you. Perhaps that billing has to do with the shifting lineup; Donovan’s Brain has always seemed more of a collective than a band. A collective of like-minded, highly creative individuals, though.

Longtime drummer Ric Parnell (the explosive drummer from This is Spinal Tap) is on most – but not all – of the album; he passed away not long ago. Joe Adragna (best known as The Junior League) drums on the others, and plays a bunch of other instruments as well. Scott McCaughey (Minus 5, Young Fresh Fellows, The Baseball Project, R.E.M. etc.) appears on one cut. Frequent associate Deniz Tek plays on one cut. Point being, the core members of Ron Sanchez and Scott Sutherland are joined by their pals in this endeavor.

The record is characteristically eclectic. An ode to another musical friend, “Hey Bobby!” name-checks Bobby Sutliff and Parnell (among others) in a mournful, Plastic Ono Band-esque tune. A hazy psychedelic vibe informs many of the songs, along with a winning late ‘60s/early ‘70s sonic aesthetic. Fire Printing is perhaps more idiosyncratic than previous Donovan’s Brain albums, but it’s every bit as strong.

Highlights are many. “Unreal” is a chiming, minor-key midtempo jangle rocker. “Stranger in the Light of Day” is a swirling, fetchingly off-kilter psych number with distorted guitar and a lysergic vibe. “How to Leave Connecticut” is a lumbering, countrifed cut that could pass for an unheard recording by Olivia Tremor Control. “Mirror Pieces” feels like shoegaze meets ‘90s powerful alternarock a la The Posies. “Stay Strong” conjures a Big Star 3rd vibe. “An Echo of Apology” is seven-plus minutes of disorienting sonic crosstalk. A haunted, melancholy feel pervades the album, filled with lyrics about loss and regret. Extensive and effective use of Mellotron only reinforces those characteristics.

Fire Printing isn’t a “happy” record. It’s also not an immediate one; the music may require multiple spins to burrow its way into your psyche. But if you give it time, the rewards are many. So when the mood strikes you in the right way, the latest from Donovan’s Brain can be just the right ticket.