I surveyed four of my favorite albums of new music from this year. There was modern psych/garage; raw Americana; punk; and classic guitar pop aka powerpop. Today I present the second half of my “top eight,” and – perhaps unsurprisingly – these four tread similar territory in musical genre-land.
American Professionals – We Make It Our Business
This group’s smart-alecky powerpop strikes me as a cross between the high-energy guitar-based rock of Cheap Trick and the large-canvas, theatrical lyricism of The Tubes circa Completion Backward Principle. Like the latter, We Make It Our Business is high-concept rock’n’roll, tightly played and arranged. In a perfect world, this music would shift millions of units. The tunes are great, and the lyrics stand up to close scrutiny (and they’ll often make you chuckle).
Gramercy Arms – The Seasons of Love
Whether one views Gramercy Arms as supergroup, side project or both, there’s no denying the strength of the songs. Fans of Ben Folds Five and Elton John are all but guaranteed to fall deeply in love with this album. Timeless pop that is informed by the song construction of such greats as Carole King and (of course) The Beatles, The Seasons of Love is long on melody and – once again on my Best of 2014 list – the lyrics are really, really strong.
The Movements – Like Elephants I and II
A dizzying, sometimes intentionally unfocused collection of songs, this paired set (I and II are ostensibly separate albums) reveals its charms gradually. But once you allow it time to burrow its way into your consciousness, for you it may (like me) stand proudly among such albums as The Flaming Lips‘ The Soft Bulletin, Radiohead‘s OK Computer and Olivia Tremor Control‘s Music from the Unrealized Film Script: Dusk at Cubist Castle. The Like Elephants albums sound unlike any of those, but the Swedish group’s music seems to flow from a like-minded sensibility.
Sloan – Commonwealth
When I first listened to Commonwealth, everything about it – the sequencing, the overall sonic approach, the production values, the songs themselves – made me think of The Beatles‘ self-titled 1968 double LP (the so-called White Album). Future listens – and there have been many, I’m here to tell you – have only reinforced that initial impression. Sloan often sound to my ears like Belle and Sebastian, and their all-hands-on-deck songwriting presence reminds me of Teenage Fanclub circa Thirteen and Grand Prix. The individual songs are delightful when chosen at random, but this is – here’s an old-school quality for you – an album that is best enjoyed in one start-to-finish listen. It’s also my pick for the best album of new music released in 2014.
Tomorrow, I’ll present a list of my favorite reissue/compilation albums of 2014.
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