DVD Review: Otis Redding — Respect Live 1967
This brief DVD is an effort to collect all extant performance footage of Otis Redding in the months before his untimely death. On that level, it succeeds, more or less. But in doing so, it — by necessity — re-re-recycles material that’s been around for years. Half of the running time consists of Redding’s stellar performance at the Monterey Pop Festival. (Read a story about that festival HERE.) Originally released as Shake — Otis at Monterey (and partially included in the Monterey Pop film — the footage is nonetheless an important piece of history, and exciting viewing.
The remainder of the disc includes footage form the Stax/Volt tour onstage in Norway. And it’s a real gem. Backed by Booker T & the MGs and supported by the Mar-Keys horn section, Redding tears through a half dozen numbers.
It’s fascinating to see the backline: Booker T and the guys have serious amplification courtesy of Jim Marshall. The MGs turn in an excellent rendition of their hit “Green Onions” that’s fiery, blistering. Amusingly, Cropper’s guitar seems to speak “thank you” at the song’s end. Sam and Dave comer onstage for a couple number. Their brilliant “Hold on, I’m Comin'” features stellar support from the Mar-Keys. So much of the disc is given over to the MGs and Sam and Dave that the disc’s title is something of a misnomer, but that’s a minor quibble.
Redding’s cover of the Rolling Stones’ “(I Can’t Get No) Satisfaction” recasts the song — then only a few years old — as a soul number, and it works amazingly well. His “Try a Little Tenderness” builds to a crescendo with the Mar-Keys channeling Herb Alpert, and the number is the the undisputable highlight of the package. Footage shows the military being brought in to keep the peace after the performance.
A visual montage of photo still of Redding is tacked on, with the studio backing of “Dock of the Bay” playing in the background. One fascinating shot included shows Otis with an acoustic guitar.
Even though serious music fans will have seen half of this set before, it still comes highly recommended.
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4500-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance (including monthly events Music to Your Ears and Music Movie Mondays), and is a frequent guest on music-focused radio programs and podcasts. In Spring 2023 he taught a history of Rock 'n' Roll at UNC Asheville's College for Seniors. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, was published in 2021 by HoZac Books. His third book, What's the Big Idea: Great Concept Albums will be published in 2024. Read even more about him here.