{"id":9389,"date":"2009-06-30T20:26:41","date_gmt":"2009-06-30T20:26:41","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=9389"},"modified":"2016-06-02T14:55:37","modified_gmt":"2016-06-02T18:55:37","slug":"album-review-ray-charles-genius-the-ultimate-ray-charles-collection","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2009\/06\/30\/album-review-ray-charles-genius-the-ultimate-ray-charles-collection\/","title":{"rendered":"Album Review: Ray Charles &#8212; Genius: The Ultimate Ray Charles Collection"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musoscribe.com\/images\/ray_charles_genius.jpg\" alt=\"Genius: The Ultimate Ray Charles Collection\" width=\"200\" height=\"176\" align=\"right\" border=\"0\" hspace=\"10\" vspace=\"10\" \/><\/p>\n<p>The word <i>Genius<\/i> is thrown around far too cavalierly. At this writing, Michael Jackson (the self-proclaimed King of Pop) has been dead only a few days, and tributes everywhere call the onetime child star a genius. Oh yeah? I recently sat through Martin Bashir&#8217;s 2003 documentary <i>Living With Michael Jackson<\/i> (an icky title in light of subsequent events, it must be said), and to me, one scene is particularly telling: In Jackson&#8217;s studio, Bashir asks Jackson to demonstrate how he writes music. Seated at a grand piano, Jackson purrs that he&#8217;s too shy. Bashir presses him, and so Michael prepares to give in. So then he demonstrates how he &#8220;writes a song.&#8221; He stands up, presses &#8220;play&#8221; on a nearby machine, and out comes a backing loop from his 1982 hit single &#8220;Billie Jean.&#8221; Jackson then proceeds to dance, and moonwalk, and all that shit. That, my friends, is how the genius wrote songs, I guess.<\/p>\n<p>Ray Charles was a <i>musician<\/i>. He actually played instruments (most notably and famously, the Wurlitzer Electric Piano and the organ). He wrote music. He wrote lyrics. He led a band as a musician. He managed a long, long list of accomplishments; it will be many years before his full contribution is realized. He was one of the first &#8220;crossover&#8221; artists, showing &#8212; especially with his <i>Modern Sounds in Country and Western Music<\/i> albums &#8212; that a great song is a great song. He broke through to white audiences at a time when few African Americans did so. He toured endlessly and released dozens upon dozens of albums, often several in a single year. All without grabbing his crotch onstage or engaging in extramusical shenanigans merely to gain press. The. Man. Was. A. Genius.<\/p>\n<p>Jackson released eight solo albums. Two were arguably excellent, if you like that kind of thing. Six were good-to-fair. Jackson was, from 1979 to around 1990, a true pop phenomenon. But a phenom does not a genius make. Using the word to describe a commercial phenomenon cheapens its meaning. Yes, Fred Astaire was mightily impressed by Jackson&#8217;s dancing. Rudolf Nureyev was a pretty good dancer, too. But genius?<\/p>\n<p>Concord Records now has control over all of Ray Charles&#8217; recorded material. And as part of an ongoing reissue project, Concord released <i>Genius: The Ultimate Ray Charles Collection<\/i> in 2009. This single-disc release brings Charles&#8217; biggest hits into the digital age (shockingly, many of these tracks have never been available on CD before now). Over 21 tracks, the disc makes the case &#8212; not that it needed making, you understand &#8212; that Ray Charles was one of the greatest musical acts of the 20th century and beyond. The sound on this disc is pristine (though mastering is a bit flawed; volume does jump a bit between songs, a bit like a quickly-made mixtape) and the track selection is peerless. Without a doubt listener favorites have been left off, but all the really big hits are here, alongside some lesser-known but equally worthy numbers.<\/p>\n<p>It&#8217;s revelatory to hear Charles charging ahead on his Wurlitzer, while the band follows him. His gospel-inflected soloing is so natural, yet so precise, that it defies description. It is, after all, the embodiment of soul. As Charles&#8217; career developed &#8212; and as his star rose &#8212; he went off in myriad directions (though he never recorded anything like Muddy Waters&#8217; psych excursion <i>Electric Mud<\/i>), but he always remained grounded. Later records featured his voice more prominently, his keyboard playing less so. But his excellent taste in arrangers meant that even an average record &#8212; like the recently-reissued <i>A Message From the People<\/i> &#8212; is worthwhile.<\/p>\n<p>The state of Georgia adopted his rendition of Hoagy Carmichael&#8217;s &#8220;Georgia On My Mind&#8221; as the official state song in 1979. It stands as one of the greatest recordings in musical history; Charles&#8217; singing is so pure, so heartfelt, that even a Yankee could be moved by it. Heavy on strings and other MOR trappings, it&#8217;s nonetheless an amazing piece of music. And it&#8217;s merely one of twenty-one tracks on <i>Genius<\/i>.<\/p>\n<p>Whether interpreting standards (the Beatles&#8217; &#8220;Yesterday&#8221;) or performing his original compositions (like the uber-influential 1959 number &#8220;What&#8217;d I Say&#8221;), the unique genius of Ray Charles shone through. And this single-disc compilation is as best an introduction to the man&#8217;s music as could be hoped for. So to add another overused word, let&#8217;s call this one&#8230;<i>essential<\/i>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The word Genius is thrown around far too cavalierly. At this writing, Michael Jackson (the self-proclaimed King of Pop) has been dead only a few days, and tributes everywhere call [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[42,51,60,64,65,69],"tags":[1792],"class_list":["post-9389","post","type-post","status-publish","format-standard","hentry","category-jazz","category-pop","category-rb","category-reissue","category-review","category-soul","tag-ray-charles","cat-42-id","cat-51-id","cat-60-id","cat-64-id","cat-65-id","cat-69-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/9389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=9389"}],"version-history":[{"count":2,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/9389\/revisions"}],"predecessor-version":[{"id":10912,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/9389\/revisions\/10912"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=9389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=9389"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=9389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}