{"id":8805,"date":"2015-11-03T05:30:50","date_gmt":"2015-11-03T10:30:50","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=8805"},"modified":"2015-11-04T13:44:00","modified_gmt":"2015-11-04T13:44:00","slug":"anton-barbeaus-traveling-magic-act-part-2","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2015\/11\/03\/anton-barbeaus-traveling-magic-act-part-2\/","title":{"rendered":"Anton Barbeau’s Traveling Magic Act, Part 2"},"content":{"rendered":"

Continued from Part One…<\/em><\/p>\n

Once Anton Barbeau<\/strong> realized that the new album wouldn’t be a Three Minute Tease<\/a><\/strong> project, he \u201cstarted looking around for other ways of doing it. I was back in Sacramento, and I had always had musician friends there. So I called some of them up. And,\u201d he added, \u201cthat’s normal for me. Any record I make, I’m always going to call up some of the same people. I had Larry Tagg<\/strong> [Bougeois Tagg<\/strong>, Todd Rundgren<\/strong>] play on some tracks; he was in my band for years. It’s an absolute pleasure just to sit in the room when he’s playing.\u201d<\/p>\n

\"\"<\/p>\n

Barbeau connected with another of his heroes. \u201cI’m friends with Colin Moulding<\/strong>‘s daughter-in-law,\u201d he explained. \u201cColin said yes! I got Colin Moulding of XTC<\/a><\/strong> on my record, and it was freaking me out!\u201d<\/p>\n

[At right: Colin Moulding (ex-XTC) miming for a video to promote one of the songs on Anton Barbeau’s upcoming Magic Act<\/em><\/span>]<\/p>\n

And Barbeau reached out again to Andy Metcalfe<\/strong>. \u201cI said to him, ‘I know we’re not in a band any more, but would you want to play on this record?’\u201d and the bassist agreed.<\/p>\n

Reportedly, Metcalfe \u2013 a longtime XTC fan \u2013 was excited at the prospect of being on an album with Moulding. Barbeau recalled a conversation with Metcalfe years earlier, in which the bassist expressed his admiration for Moulding and his work. \u201cI remember thinking, ‘I’m sitting here with one of my favorite bass players on Earth, and we’re discussing another<\/em> of my favorite bass players on Earth!’\u201d<\/p>\n

\u201cThe whole story really is<\/em> convoluted,\u201d Barbeau laughed. \u201cAnd I’m still trying to turn it into a press release for the new record!\u201d Bassist Martin Gordon<\/strong> of Sparks<\/strong> also lives in Berlin, and lent his talents to the Magic Act<\/em> sessions. \u201cSo it’s kind of a bass player’s dream record,\u201d Barbeau gushed. The sessions also included Windsor (\u201con most of the record\u201d) and drummer Michael Urbano<\/strong> on several tracks. The Corner Laughers<\/a><\/strong>‘ Karla Kane<\/strong> also laid down some tracks for the project. \u201cShe’s all over the record,\u201d Barbeau said. (Note: if I’ve missed anyone, the fault for omission is mine, not Anton Barbeau’s. \u2013 bk<\/em>)<\/p>\n

\u201cOne of the things about this record,\u201d Barbeau said, \u201cis that it’s really a cut-and-paste thing. Files being emailed; it’s a glued-together album. You always want the fantasy that everybody’s in the room together, but in this case, there’s no way to deny that Magic Act<\/em> is simply not that kind of record.\u201d He said that the chosen method is \u201chow the record was meant to come together. And it works.\u201d<\/p>\n

Things sometimes happened backwards: \u201cColin emailed me his bass track,\u201d Anton recalled.\u201d Then<\/em> I met him. Then we did a video.\u201d The Three Minute Tease track on the upcoming disc was done the old-fashioned way. \u201cIt was an example of us at our absolute best, in a room together,\u201d Barbeau stressed. \u201cThat was the key to our chemistry; we were a sort of piano jazz trio, in a way.\u201d After completing a \u201clive\u201d basic track, Barbeau went back and overdubbed what he described as \u201cbuckets of nonsense\u201d on top of the recording.<\/p>\n

I asked Barbeau \u2013 on this August morning when we were chatting over coffee \u2013 if the record was done, if it was \u201cin the can.\u201d He demurred. \u201cIt’s almost, almost, almost done,\u201d he told me. He had already sorted out an agreement to release the upcoming Magic Act<\/em> on vinyl in Spain in December 2015. \u201cEveryone loves vinyl,\u201d Barbeau said, \u201cbut this album is really the right one for that.\u201d Even though he has a large body of work, Barbeau characterized Magic Act<\/em> as a good place for those new to his music to begin, \u201ca really fine intro to what I do.\u201d And, he added, \u201cIt’s good for people who like what I do already.\u201d He described the album’s nature: \u201cHere’s some pop songs. Here’s some murky nonsense.\u201d<\/p>\n

Magic Act<\/em> will come out in the USA on the Mystery Lawn label, Allen Clapp<\/strong><\/a>‘s California-based indie imprint that’s home to a consistently high caliber of pop-leaning acts.<\/p>\n

\"\"<\/center>At this point in our conversation, Anton excused himself to take a break and check on the status of his crowd funding campaign, due to end within the hour. When he returned, I asked him how things were going. He replied, \u201cI almost don’t want to talk about it…\u201d He paused to refresh his laptop’s screen, and we all saw that the campaign was at 90% of its funding goal. His mood brightened immediately. \u201cI’m in a much better mood, suddenly,\u201d he laughed. \u201cI loooove<\/em> crowd funding; it’s one of my favorite things to do!\u201d<\/p>\n

\u201cEveryone says that you’ve got to be positive with these things,\u201d he said. \u201cI get that; I really do. And with this campaign, I’ve not been particularly pissy about it.\u201d The campaign did endure a few hiccups regarding credit card transactions, likely owing to the fact that the funding platform\/website has experience mainly with European acts, while many of the potential contributors are in the United States. But everything seemed to be working okay in the end.<\/p>\n

Barbeau outlined the goals of the campaign. \u201cIn this case, we’re covering a lot. Thankfully, it’s not that pricey for me to make records, if I’m stealthy about it; I do a lot of the work at home.\u201d But studio costs and musician fees do add up. And then there’s mastering, and the manufacture of the physical discs themselves. \u201cAnd it all depends on how well we do here in the exactly one hour remaining<\/em>,\u201d Barbeau grimaced somewhat nervously.<\/p>\n

Meanwhile, Anton Barbeau is already giving thought to what’s next. As always, his plans include live performance. \u201cI’m always playing,\u201d he said. \u201cI very rarely have done the ‘right’ thing, where when you’ve got a new record, you play material from that record, push that material.\u201d He’s more likely to say, \u201cOkay, let’s do one song from it.\u201d<\/p>\n

\u201cWhen I did the record with The Bevis Frond, the band that I had back home just loved it,\u201d said Barbeau. \u201cBecause they could sound like the record! So we sounded like that: two guitars, bass, and drums. But now I’m more likely to pick a song from each record.\u201d<\/p>\n

\"\"<\/p>\n

He also discussed his then-upcoming plans to visit California for a handful of live dates; his plans also included work on the next Allyson Seconds<\/strong> album, a followup to Bag of Kittens<\/em>, the 2009 album he produced; that earlier album featured all songs composed by Barbeau. A tour of Spain \u2013 to support the vinyl release of Magic Act<\/em> \u2013 is tentatively scheduled for early 2016. \u201cSpain is a country that really seems to love psychedelic music, powerpop; all the genres that I have anything to do with, that’s the country that really seems to ‘get’ it,\u201d he said.\u201d<\/p>\n

Speaking of powerpop, Barbeau explained his on-again, off-again relationship with the genre. \u201cWhen I got more interested in psychedelic music, I really sort of pushed the powerpop thing away. But I realized, I still love pop songs. Maybe the powerpop scene, as a thing, is almost too ‘clean’ for me, but playing in Spain, as I mentioned, and seeing their support for the pop end of things, reminded me of how much I do love pop music.\u201d<\/p>\n

Click here to continue to Part 3 (conclusion)<\/a>…<\/em><\/p>\n

Aaaand… here’s a world premiere\/exclusive<\/strong> (‘cept for that one place it ran already) of a track from Ant’s upcoming album, <\/em>Magic Act. The tune is called “Swindon,” and it features Morris Windsor, Larry Tagg, Karla Kane, and Khoi Huynh. You heard it here first!
\n<\/em><\/p>\nhttp:\/\/blog.musoscribe.com\/wp-content\/uploads\/2015\/11\/11_Swindon.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

Continued from Part One… Once Anton Barbeau realized that the new album wouldn’t be a Three Minute Tease project, he \u201cstarted looking around for other ways of doing it. I […]<\/p>\n","protected":false},"author":1,"featured_media":8933,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41,49,51,55,57],"tags":[211,1553,2206],"class_list":["post-8805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-interview","category-new-release","category-pop","category-powerpop","category-psych","tag-anton-barbeau","tag-mystery-lawn-music","tag-three-minute-tease","cat-41-id","cat-49-id","cat-51-id","cat-55-id","cat-57-id","has_thumb"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/8805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=8805"}],"version-history":[{"count":5,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/8805\/revisions"}],"predecessor-version":[{"id":9583,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/8805\/revisions\/9583"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media\/8933"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=8805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=8805"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=8805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}