{"id":848,"date":"2012-08-07T05:36:51","date_gmt":"2012-08-07T10:36:51","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=848"},"modified":"2012-08-07T05:36:51","modified_gmt":"2012-08-07T10:36:51","slug":"848","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2012\/08\/07\/848\/","title":{"rendered":"Talking \u201cAbout Stuff\u201d with Harry Shearer, Part 1"},"content":{"rendered":"<p style=\"margin-bottom: 0in; font-weight: normal\"><font color=\"#000000\"><strong>Harry Shearer<\/strong> is well-known in several areas of entertainment. As a long-time cast member of <em>The Simpsons<\/em>,  he gives voice to many of the show&#8217;s characters (Montgomery Burns, Smithers, Principal Skinner, etc.). As an actor he&#8217;s appeared in many films, from <em>The Right Stuff<\/em> to <em>A Mighty Wind<\/em>. As an artist combining music, comedy and commentary, he first gained notice as a member of the 1970s comedy troupe <strong>The Credibility Gap<\/strong>, then later on his own (as host of the long-running <em>Le Show<\/em> radio program), and on a succession of albums. And of course he was immortalized as the bass player for one of Britain&#8217;s loudest bands, <strong>Spinal Tap<\/strong>. His latest album, <em>Can&#8217;t Take a Hint<\/em>, draws on all his areas of entertainment expertise. I got a rare chance to talk with Harry about the new album, the creative process, and the durability of the kind of work he creates. \u2013 bk<\/font><\/p>\n<hr \/>\n<p style=\"margin-bottom: 0in\"><font color=\"#000080\"><strong>Bill Kopp:<\/strong> So many of the songs you do for <em>Le Show<\/em> are based on topical events, yet they still pack their punch even years later. I enjoy the material on <em>It Must Have Been Something I Said<\/em> even though I&#8217;ve had it for eighteen years now. When you write topical pieces, do you put any thought into trying to make them timeless, or do you think of them more like magazine articles \u2013 sort of designed for the here-and-now, with no real thought toward posterity?<\/font><\/p>\n<p style=\"margin-bottom: 0in\"><strong>Harry Shearer:<\/strong> When I write songs, I&#8217;m trying to write the funniest \u2013 or most effective \u2013 song. Either from the point of view of the character, or looking at the character. I don&#8217;t really \u2013 partly because of the present time \u2013 I don&#8217;t have the luxury of giving thought to things like, \u201cWill this last?\u201d or \u201cWill they even remember this?\u201d<\/p>\n<p style=\"margin-bottom: 0in\">So when I went back and looked at some of the songs, obviously the Iraq War is something people remembered. <strong>Sarah Palin<\/strong> is still in the limelight; <strong>\u201cJoe the Plumber\u201d<\/strong> was running for Congress this year. And BP is still running ads about how great the Gulf coast is, even though they&#8217;re the people who fucked it up. And people are still getting groped by the TSA.<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/harry_shearer01a.jpg\" height=\"340\" vspace=\"10\" width=\"425\" hspace=\"10\" \/><\/p>\n<p>So everything I chose [for inclusion on <em>Can&#8217;t Take a Hint<\/em>], I liked musically, and I thought that they had some relevance. There were things I didn&#8217;t choose for the record because I thought they didn&#8217;t have as much relevance. Given the more leisurely job of choosing songs for a record, I think that way, but when I&#8217;m writing&#8230;absolutely not.<\/p>\n<p style=\"margin-bottom: 0in\"><font color=\"#000080\"><strong>BK:<\/strong><\/font><font color=\"#000080\"> Because your songs are \u201cabout stuff,\u201d so to speak&#8230;<\/font><\/p>\n<p style=\"margin-bottom: 0in\"><font color=\"#000000\"><strong>HS:<\/strong> That&#8217;s [laughs heartily] the best description I&#8217;ve ever heard. I may steal that.<\/font><\/p>\n<p style=\"margin-bottom: 0in\"><font color=\"#000080\"><strong>BK:<\/strong> &#8230;does that sort of box you in, in terms of arrangements? I mean, do you have to limit the tempo, mix the vocal louder than you&#8217;d otherwise do, etc? Or do those sort of considerations just happen at a subconscious level?<\/font><\/p>\n<p style=\"margin-bottom: 0in\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/harry_shearer02a.jpg\" align=\"left\" height=\"323\" vspace=\"10\" width=\"280\" hspace=\"10\" \/><strong>HS:<\/strong> The second one, yes; the first one, no. Arrangements \u2013 musical settings \u2013 are basically something that comes to me as I&#8217;m thinking of the original ideas for the song. The song is inspired by a phrase or a word, very often. And I&#8217;ll often think about who&#8217;s singing it: the character that I&#8217;m lampooning, or an observer. And then the musical setting arises from that. Before I can sit down and write the lyric, I have to know what kind of song it is. The rhythm, what shape the lyrics take. So the musical setting is based on nothing more than part of the creative process.<\/p>\n<p style=\"margin-bottom: 0in\">But in terms of the vocal, yeah. I&#8217;m always aware of that. My wife [<strong>Judith Owen<\/strong>] who&#8217;s a singer and songwriter, is a whiz in the studio. And she is <em>very<\/em> adamant on this subject: we mix the lyrics\/vocals up from where they might be normally, because the words are important. And we like people to hear them the first time around. So, very definitely.<\/p>\n<p style=\"margin-bottom: 0in\">Everybody does mixes and then does an ultimate mix with the vocal \u201cup one.\u201d But we <em>start<\/em> with vocal up one, and go from there.<\/p>\n<p style=\"margin-bottom: 0in\"><font color=\"#000080\"><strong>BK:<\/strong><\/font><font color=\"#000080\"> I saw Judith perform a few years ago with <font color=\"#000080\"><strong>Richard Thompson<\/strong><\/font><font color=\"#000080\">.<\/font><\/font><\/p>\n<p style=\"margin-bottom: 0in\"><strong>HS:<\/strong> She and I are both performing with Richard again in Los Angeles at the end of October. It&#8217;s the most amazing show that Richard has written. It&#8217;s astonishingly good.<\/p>\n<p style=\"margin-bottom: 0in\"><font color=\"#000080\"><strong>BK:<\/strong><\/font><font color=\"#000080\"> I&#8217;ve been a fan of your work long before I knew who you were. When I was a kid listening to FM radio in the 70s, our local rock station had a program on Sunday nights, where they&#8217;d play the sound of someone scanning the FM dial, and then they&#8217;d land on a station, so to speak, where they&#8217;d play a track off of a comedy LP. I heard <\/font><font color=\"#000080\"><strong>George Carlin<\/strong><\/font><font color=\"#000080\">, <\/font><font color=\"#000080\"><strong>Lily Tomlin<\/strong><\/font><font color=\"#000080\">, lots of <\/font><font color=\"#000080\"><strong>Firesign Theatre<\/strong><\/font><font color=\"#000080\">, and \u2013 best of all \u2013 <\/font><font color=\"#000080\"><strong>The Credibility Gap<\/strong><\/font><font color=\"#000080\">. Especially \u201cWho&#8217;s On First,\u201d my vote for the best routine of them all. So even then, your writing was keyed into the present-day zeitgeist. What was it that drew you early on to set your creative sights on present-day news, pop culture and observational humor?<\/font><\/p>\n<p style=\"margin-bottom: 0in\"><strong>HS:<\/strong> I guess the one-word answer is: revenge. There&#8217;s all this shit, and I have to have a response to it. And I decided my response would be humorous. I grew up around comedy \u2013 all kinds, from the gentle comedy of <strong>Jack Benny<\/strong> to the very satirical comedy of <strong>Mort Sahl <\/strong>and <strong>Stan Freberg<\/strong>. I kind of melded those two strains into what I do.<\/p>\n<p style=\"margin-bottom: 0in\">&nbsp;<\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/harry_shearer03.jpg\" height=\"301\" vspace=\"10\" width=\"450\" hspace=\"10\" \/><\/p>\n<p>When I grew up, my parents were avid newspaper readers, and we watched television a lot. And I grew up in the business. So I was sort of exposed to all this, and I knew a lot about how it came to be made. And that gave me a more informed slant on stuff, perhaps sometimes. And then I worked in government for awhile, which gave me an informed slant on <em>that<\/em> stuff. I combined the immersing of myself in the flow of this stuff with some sense of knowledge of how it all worked. There&#8217;s always a tension between those two things, and a lot of humor lies in there. And I go mine it.<\/p>\n<p style=\"margin-bottom: 0in\"><em>\u00a0<a href=\"http:\/\/blog.musoscribe.com\/?p=849\">continued<\/a>&#8230;<\/em><\/p>\n<p style=\"margin-bottom: 0in\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" vspace=\"0\" width=\"18\" hspace=\"1\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Harry Shearer is well-known in several areas of entertainment. As a long-time cast member of The Simpsons, he gives voice to many of the show&#8217;s characters (Montgomery Burns, Smithers, Principal [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[41],"tags":[],"class_list":["post-848","post","type-post","status-publish","format-standard","hentry","category-interview","cat-41-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=848"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/848\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=848"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}