{"id":835,"date":"2012-07-24T05:24:31","date_gmt":"2012-07-24T10:24:31","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=835"},"modified":"2012-07-24T05:24:31","modified_gmt":"2012-07-24T10:24:31","slug":"album-review-the-zombies-recorded-live-in-concert-at-metropolis-studios-london","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2012\/07\/24\/album-review-the-zombies-recorded-live-in-concert-at-metropolis-studios-london\/","title":{"rendered":"Album Review: The Zombies \u2013 Recorded Live in Concert at Metropolis Studios London"},"content":{"rendered":"<p style=\"margin-bottom: 0in\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/zombies_metropolis.jpg\" align=\"right\" height=\"252\" vspace=\"10\" width=\"280\" hspace=\"10\" \/><strong>The Zombies<\/strong> are one of those sixties acts who somehow never got their due on the first go-round. Chalk it up to bad timing, a glut of great music; it really doesn&#8217;t matter or change the facts. The Zombies produced one of the great baroque-pop albums in <em>Odessey and Oracle<\/em>, but weren&#8217;t around to capiltalize on its success once it caught on. (Imagine, if you will, that <strong>Radiohead<\/strong> had broken up six months after releasing <em>OK Computer<\/em>, another landmark record that made a slow burn on the charts.)<\/p>\n<p style=\"margin-bottom: 0in\">The surviving members of the original Zombies lineup reunited in 2008 to mount live dates in which they re-created <em>Odessey &amp; Oracle<\/em>, and that got them back onto the touring circuit. The touring version of the group doesn&#8217;t include all of those guys, but it <em>does<\/em> feature extraordinary vocalist <strong>Colin Blunstone<\/strong> and ace keyboardist <strong>Rod Argent<\/strong>. Also on board are bassist <strong>Jim Rodford<\/strong> (a member of <strong>The Kinks<\/strong> during <em>their<\/em> resurgence in the 1980s) and son <strong>Steve Rodford<\/strong> on drums. Guitarist <strong>Tom Toomey<\/strong> shows he belongs with these highly-regarded players, especially on his solo during \u201cAny Other Way.\u201d That song&#8217;s charms are more amazing when one discovers it&#8217;s a new (2011) track, not a sixties classic. A performance of <strong>Denny Laine<\/strong>&#8216;s bouncy \u201cSay You Don&#8217;t Mind\u201d (a solo hit for Blunstone in the early 70s) and a lovely version of <strong>George Gershwin<\/strong>&#8216;s \u201cSummertime\u201d show the range of these veteran musicians. Thank goodness they&#8217;re still at it.<\/p>\n<p style=\"margin-bottom: 0in\">This new CD+DVD touches on a number of <em>O&amp;O<\/em> tracks, but also delves into the group&#8217;s other material. The performances are shockingly dramatic and tight; there&#8217;s nary a whiff of nostalgia, no feeling of old guys trucking out the old stuff. Blunstone&#8217;s voice is as controlled and expressive as ever, and Argent&#8217;s Hammond and piano talents are second to few. The session took place in front of a crowd of 120 souls, and the result combines the best characteristics of studio (clear sound, careful arrangements) and live (that ineffable vibe a band gets playing to a real audience). <em>Recorded Live<\/em> is perhaps the best contemporary live performance\/recording by an \u201cold\u201d band since Love&#8217;s <em>Forever Changes Live<\/em>.<\/p>\n<p style=\"margin-bottom: 0in\" align=\"center\"><a href=\"http:\/\/www.twitter.com\/the_musoscribe\" class=\"body\">Follow \u201cthe_musoscribe\u201d on <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/icon_twitter_small.jpg\" valign=\"middle\" border=\"0\" height=\"18\" vspace=\"0\" width=\"18\" hspace=\"1\" \/> Twitter<\/a> and get notified<br \/>\nwhen new features, reviews and essays are published.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Zombies are one of those sixties acts who somehow never got their due on the first go-round. Chalk it up to bad timing, a glut of great music; it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[65],"tags":[],"class_list":["post-835","post","type-post","status-publish","format-standard","hentry","category-review","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=835"}],"version-history":[{"count":0,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/835\/revisions"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=835"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}