{"id":743,"date":"2012-03-22T10:29:58","date_gmt":"2012-03-22T15:29:58","guid":{"rendered":"http:\/\/blog.musoscribe.com\/?p=743"},"modified":"2016-07-29T11:11:52","modified_gmt":"2016-07-29T15:11:52","slug":"concert-review-thomas-dolby-at-the-handlebar-greenville-sc-21-march-2012","status":"publish","type":"post","link":"http:\/\/blog.musoscribe.com\/index.php\/2012\/03\/22\/concert-review-thomas-dolby-at-the-handlebar-greenville-sc-21-march-2012\/","title":{"rendered":"Concert Review: Thomas Dolby at The Handlebar, Greenville SC (21 March 2012)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/musoscribe.com\/images\/dolby2012.jpg\" width=\"276\" height=\"319\" align=\"right\" hspace=\"10\" vspace=\"10\" \/>I wasn&#8217;t completely sure what to expect from a <strong>Thomas Dolby<\/strong> concert. I knew he&#8217;d avoid dated 80&#8217;s kitschy shtick; when <a href=\"http:\/\/blog.musoscribe.com\/\/?p=500\">I interviewed him<\/a> a year ago, he memorably told me, \u201cevery week I get an offer to go off and do some eighties revival tour with <strong>ABC<\/strong> and <strong>A Flock of Seagulls<\/strong>.\u201d With his first album of new studio material in two decades, <em>A Map of the Floating City<\/em>, Dolby is, so to speak, back on the cultural map.<\/p>\n<p>Of course he never left; he was merely involved in projects other than the traditional make-an-album-and-tour tradition. For some time he&#8217;s been the musical director for the popular TED conference. But he&#8217;s now touring in support of the new album (first released in a sort of planned-piecemeal form as a trio of EPs), and I journeyed out of the mountains to see him at The Handlebar in Greenville SC.<\/p>\n<p>The Handlebar is billed as a \u201clistening room,\u201d and that&#8217;s a fair description: it&#8217;s an intimate space with reasonably good acoustics, an excellent sound system, and a stage that&#8217;s low enough to eliminate the gulf between performer and audience. I had been to the venue twice before, for concerts by <strong>Todd Rundgren<\/strong> and <a href=\"http:\/\/blog.musoscribe.com\/\/?p=453\"><strong>The Church<\/strong><\/a>.<\/p>\n<p>Those with a casual knowledge of Dolby&#8217;s recorded work might think of his hit singles \u201cShe Blinded Me With Science\u201d and \u201cHyperactive,\u201d and thus expect a live show heavy on electronics. But Dolby describes himself and his music as \u201corganic,\u201d and in fact his live presentation backs that up. Yes, he did play keyboards \u2013 a full 88-key Yamaha Motif, a Roland synth and an M-Audio MIDI controller, but the electronics, samples and sequences were seamlessly folded into the performance.<\/p>\n<p style=\"margin-bottom: 0in;\">Part of the reason it all hung together so well is down to Dolby&#8217;s onstage support: his drummer triggered the bass lines (as opposed to playing \u201cto\u201d them), and longtime Dolby associate <strong>Kevin Armstrong<\/strong> provided texture in spades on his Telecaster. Dolby&#8217;s music truly does draw from a vast array of genres: you&#8217;ll hear zydeco, jazz, blues, country, Appalachian folk, electronica, and \u2013 of course &#8212; rock. Armstrong nailed the Bakersfield sound on tracks like \u201cRoad to Reno\u201d from <em>A Map of the Floating City<\/em>, and throughout the show, Dolby&#8217;s arrangements put the guitar front and center. The result was less \u201cThomas Dolby and some guys\u201d and more of a real band.<\/p>\n<p><strong>Aaron Jonah Lewis<\/strong>, a multi-instrumentalist with whom Dolby has worked recently joined the trio onstage for several numbers, adding \u2013 in turns \u2013 (amplified) acoustic guitar, harmonica, fiddle, banjo and vocals. Some in the audience might have been a bit surprised to see and hear those kinds of sounds from the man who gave us <em>Aliens Ate My Buick<\/em>, but then one of the EPs that forms the new album is in fact called <em>Amerikana<\/em>.<\/p>\n<p><object id=\"tech\" width=\"425\" height=\"319\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/fpdownload.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,0,0\" align=\"middle\"><param name=\"allowScriptAccess\" value=\"sameDomain\" \/><param name=\"movie\" value=\"http:\/\/musoscribe.com\/images\/dolby.swf\" \/><param name=\"quality\" value=\"high\" \/><embed src=\"http:\/\/musoscribe.com\/images\/dolby.swf\" quality=\"high\" name=\"tech\" allowscriptaccess=\"sameDomain\" type=\"application\/x-shockwave-flash\" pluginspage=\"http:\/\/www.macromedia.com\/go\/getflashplayer\" align=\"middle\" height=\"319\" width=\"425\" \/><\/object><\/p>\n<p>In addition to the music, a highlight of the show was Dolby&#8217;s penchant for introducing some songs with a back story. His anecdote preceding \u201cI Love You Goodbye\u201d was particularly amusing, and helped generate interest for a lovely song unfamiliar to most of those in the audience. And when Dolby finally wheeled out \u201cShe Blinded Me With Science\u201d as the last number in the set (prior to encore), his story about working with <strong>Dr. Magnus Pyke<\/strong> (the man who declaimed, \u201cScience!\u201d) elicited howls of laughter from the enthusiastic crowd.<\/p>\n<p>The set offered both new and old, but somehow even the thirty-year-old numbers sounded modern on this night. The venue wasn&#8217;t packed, but those in attendance received the newer and less familiar material with open ears. That Dolby&#8217;s music is warm and inviting (not to mention hook-laden) certainly helps. From \u201cOne of Our Submarines is Missing\u201d to the dance-oriented encore of \u201cSpice Train,\u201d Thomas Dolby provided a fantastic evening of entertainment.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I wasn&#8217;t completely sure what to expect from a Thomas Dolby concert. I knew he&#8217;d avoid dated 80&#8217;s kitschy shtick; when I interviewed him a year ago, he memorably told [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[44,65],"tags":[],"class_list":["post-743","post","type-post","status-publish","format-standard","hentry","category-live-shows","category-review","cat-44-id","cat-65-id"],"_links":{"self":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/comments?post=743"}],"version-history":[{"count":3,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/743\/revisions"}],"predecessor-version":[{"id":11312,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/posts\/743\/revisions\/11312"}],"wp:attachment":[{"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/media?parent=743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/categories?post=743"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blog.musoscribe.com\/index.php\/wp-json\/wp\/v2\/tags?post=743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}